Marche à l'ombre (1984)
Directed by Michel Blanc

Comedy / Romance

Film Review

Abstract picture representing Marche a l'ombre (1984)
Popular actor Michel Blanc made his directorial début with this ebullient urban comedy, in which he stars alongside sex symbol Gérard Lanvin.  Whilst the plot is a bit of a mess, Blanc manages to hold the whole thing together well for a novice director, and there are plenty of visual gags to keep us entertained.  The film's strength lies in the amazing Blanc-Lanvin double act, the two contrasting actors playing off each other to great effect: Blanc the inept yet surprisingly successful Don Juan, Lanvin the seemingly conventional screen lover who fails to get lucky (despite oozing sex appeal by the bucket load).  By contrast, the supporting cast is quite weak, and are unable to make much of their under-written character parts.  Although the film was a commercial success, it would be a decade before Michel Blanc would direct his next film.
© James Travers 2005
The above content is owned by filmsdefrance.com and must not be copied.
Next Michel Blanc film:
Grosse fatigue (1994)

Film Synopsis

After bumming their way around the Mediterranean, two dropouts in their late twenties, François and Denis, return to France without a sou to their name.  The only person they can turn to for help is an old friend of François's, but he seems to have disappeared. The two friends end up in a squalid hotel, where they fall in with an African man, Joseph, who invites them to share a squat with him and his friends.  Life on the margins seems to suit François and Denis.  They manage to scrape by easily enough, selling stolen goods and busking to meet their material needs.  Things become more complicated for them both when they fall in love.  As Denis starts an affair with a black girl, Marie Gabrielle, François goes chasing after Mathilde, an aspiring dancer.  When Mathilde leaves him to pursue her dream of fame and fortune in America, François persuades his buddy to accompany him to New York...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Michel Blanc
  • Script: Michel Blanc, Patrick Dewolf
  • Cinematographer: Eduardo Serra
  • Music: Jacques Delaporte, Xalam
  • Cast: Gérard Lanvin (François), Michel Blanc (Denis), Sophie Duez (Mathilde), Mimi Félixine (Marie-Gabrielle), Béatrice Camurat (Martine), Prosper Niang (Prosper), Katrine Boorman (Katrina), Jean-François Dérec (Le patron de l'hôtel), Bernard Farcy (Monsieur Christian), Didier Agostini (1er Racketteur), Philippe Auriault (Jeune homme moto), François Berléand (L'inspecteur de police receleur), Dominique Besnehard (Le garçon 'Smalto'), Carole Brenner (Vendeuse Parfumerie), Patrick Bruel (Le guitariste du métro), Nelly Co-Quat (Danseuse), Coquillette (Vendeuse Supermarche), Erick Desmarestz (L'interne), Yves Elliot (Le Filleul), Lydia Ewandé (La Cousine)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 90 min

French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright