Lettere di una novizia (1960)
Directed by Alberto Lattuada

Drama

Film Review

Abstract picture representing Lettere di una novizia (1960)
This run-of-the-mill melodrama from director Alberto Lattuada would be easily overlooked were it not for the presence of two up-and-coming French actors, Jean-Paul Belmondo and Pascale Petit.  Their contribution alone gives the film a touch of "New Wave" modernity which is otherwise belied by the staid direction and rather unimaginative cinematography.  The laboured 'policier' style first appears a tad ridiculous in the film's first half, but just about makes sense when the explosive climax is reached.
© James Travers 2006
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

Margarita Passi is a young woman who hopes that by entering a convent she will be able to put her past behind her, but it is not to be.  Before she can take her sacred vows, her priest, Don Paolo Conti, receives an anonymous letter which reveals that Margarita has been forced to become a nun against her will.  Confronted with this discovery, the young novice has no choice but to tell her tragic tale.  It begins with Margarita living with her mother on the large farming estate that she had just inherited from her father.  Money is scarce and life on the land is hard, so the young woman is eager to sell the farm, but she cannot do this until she has come of age.

In the meantime, Margarita and her mother have to keep the farm going as best they can, working impossible hours for a pittance.  In the end the young woman can no longer bear to see her mother's suffering so she decides to hasten things along by getting married.  As luck would have it, an eligible young man presents himself and Margarita is soon in love.  What she doesn't yet know is that the man she plans to marry is in fact her mother's lover.  When Margarita discovers the truth she finds it impossible to accept and in a moment of madness she kills her lover.  Thankfully she has a considerate mother who can keep her head in a crisis...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Alberto Lattuada
  • Script: Alberto Lattuada, Enrico Medioli, Giuseppe Patroni Griffi, Roger Vailland, Guido Piovene (novel)
  • Cinematographer: Roberto Gerardi
  • Music: Roberto Nicolosi
  • Cast: Pascale Petit (Margarita 'Rita' Passi), Jean-Paul Belmondo (Giuliano Verdi), Massimo Girotti (Don Paolo Conti), Lilla Brignone (Sister Giulietta), Hella Petri (Elisa Passi), Elsa Vazzoler (Zaira Michetti), Emilio Cigoli (Publico Ministero), Gianni Appelius (Don Scarpa), Zoralda Maitoff (Ragazza Balletto), Litz Kibiska (Ragazza Balletto), Alice Sandro (Ragazza Balletto), Virginia Chappel (Amichetta Di Guliano), Ger Fellegi (Ragazza Balletto), Maureen Warrick (Ragazza Balletto), Gianni Posperini
  • Country: France / Italy
  • Language: Italian
  • Support: Black and White
  • Runtime: 82 min

French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright