Les Pépées font la loi (1955) Directed by Raoul André
Comedy / Crime / Thriller
Film Review
Had it been scripted and directed with a little more flair and
imagination, Les
Pépées font la loi could very well have been a
classic in the French comedy-thriller genre. Sadly, despite its
brilliant premise - one that would doubtless have warmed the heart of
any militant feminist of the time - the film fails to take off and ends
up being just another routine comedy. The film's one saving grace
is its cast, headed by a formidable Suzy Prim, who is superb as the
leader of a gang of surprisingly vicious harridans pursuing a rescue
mission, wreaking havoc in the Parisian underworld as they do so.
The scene in which these elegantly coiffeured beldams
interrogate/torment a captured kidnapper in their kitchen recalls a
similar scene in Quentin Tarantino's Reservoir
Dogs (1992) and whilst it is somewhat funnier (and involves
slightly less bodily mutilation) it is still just as disturbing.
"Is this meant to be a comedy?" you ask as one pretty young thing
prepares to poke out her captive's eyes. Louis de Funès's
welcome appearance as a likeably nasty hoodlum answers that question in
the affirmative, although without his presence you'd be less certain
about this. Les
Pépées font la loi may not live up to its
premise, and it does tread a thin line between sadism and mirth, but
it's canny inversion of gender archetypes does at least set it apart
from similar films of its time.
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Film Synopsis
Flora finds she has to take the law into her own hands when her daughter
Nathalie is kidnapped one day. Her first thought is that her precious
offspring has managed to get herself mixed up in a bothersome drugs trafficking
operation, so rather than get onto the police she decides to deal with the
matter by herself, assisted by her other three daughters: Elvire, Christine
and Elisabeth. It so happens that Flora was once married to a gangster,
so she knows her way around the Parisian underworld. With the help
of her gangland contacts, she manages to inveigle her way into a gang run
by someone who calls himself Monsieur Charles. Flora will not be satisfied
with merely rescuing Nathalie. With her own gang, she intends to inflict
a just retribution on the naughty men who have caused her so much inconvenience
and worry. In a man's world, it is the women who should make the laws...
Cast: Claudine Dupuis (Elvire),
Dominique Wilms (Elisabeth),
Louise Carletti (Christine),
Michèle Philippe (Nathalie),
Suzy Prim (Flora),
Louis de Funès (Jeannot La Bonne Affaire),
Jean Gaven (Frédéric Langlet),
Laurent Dauthuille (Le kidnappeur),
Jean-Jacques Delbo (Le truand qui bat Nathalie),
André Roanne (Le Professeur),
René Havard (Calamart),
Olivier Mathot (Michel),
Paul Péri (Casanova),
Paul Demange (L'encaisseur à la sacoche vide),
Paul Dupuis (Georges),
Simone Berthier (Hortense),
Jacqueline Noëlle (La brune de café),
Yoko Tani (La fleuriste du Lotus),
Jérôme Goulven,
Don Ziegler
Country: France
Language: French
Support: Black and White
Runtime: 95 min
Continental Films, quality cinema under the Nazi Occupation
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.