Les Ailes blanches (1943) Directed by Robert Péguy
Drama
Film Review
Having triumphed in one shamelessly sentimental melodrama, Le
Voile bleu (1942), Gaby Morlay was an easy shoe-in for this
even more dismal round of gratuitous tear-jerking. Les Ailes blanches deserves its
place in obscurity, belonging as it does to that class of characterless
French melodrama that ought to have been mercilessly culled before the
mid 1930s. Morlay's performance, one of the worst of her career,
reveals how much the lead actress felt about this grade-A yawn-a-thon,
and were it not for the presence of Saturnin Fabre (a pick-me-up if
ever there was one) this film would be unbearable. Jacqueline
Bouvier (later to become Jacqueline Pagnol) also livens up a few
scenes, bringing a touch of modernity the film desperately needs.
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Film Synopsis
It was a disappointment in love that led Claire to discover her true
vocation as a nun. Now, in middle age, she takes an interest in
three young women, who have been badly brought up by a widower.
When one of the women is abandoned by her lover, Sister Claire steps in
to save her...
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.