It may be hard to believe today but Le
Voile bleu was a phenomenal box office hit when it was first
released in France during the Nazi occupation. Audiences were
enraptured by this creaking, overly sentimental melodrama which offered
Gaby Morlay the greatest film role of her career. A shameless
tear jerker, this is the French equivalent of the schmaltzy women's
pictures that stars such as Bette Davis had been churning out on the
other side of the Atlantic, presumably to keep the manufacturers of
pocket handkerchiefs in business. It is a sign of how much
audiences have changed over the past half a century that this kind of
film now fails to have any real emotional impact and feels false and
excruciatingly contrived.
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
France, 1914. Not long after her husband is killed in the war,
Louise Jarraud gives birth, but her newborn baby lives only a few
hours. The experience has a profound effect on Louise and, her
maternal instinct aroused, she decides to dedicate the rest of her life
to caring for children. She finds a position as a nurse with a
solitary widower, Emile Perrette, but when he offers to marry her she
leaves and works for another household. Louise knows that
she can never marry again, that she lives only for the infants who are
placed in her trust...
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
With so many great films to choose from, it's nigh on impossible to compile a short-list of the best 15 French films of all time - but here's our feeble attempt to do just that.
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.