Le Triporteur (1957)
Directed by Jacques Pinoteau

Comedy
aka: The Tricyclist

Film Review

Abstract picture representing Le Triporteur (1957)
Darry Cowl was a hugely talented and much-loved comic performer, with an incredible list of film credits that spanned six decades.  In Le Triporteur, he shows every facet of his comedy talents to great effect, making this his most memorable cinematic outing.  Through a series of neatly dovetailed comedy sketches, director Jack Pinoteau evokes something of the style of the great American silent comedy classics and also that of Jacques Tati's films.  Whilst a few of the jokes now appear somewhat drawn out and well past their sell-buy date, others - particularly some of the complex visual gags - are wonderfully effective.  It may be a relic from another era, but Le Triporteur still has its appeal, and more than a few decent laughs.
© James Travers 2006
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

Football is something of a national obsession in France, so when their team qualifies for the Cup Final the inhabitants of the town of Vauxbrelles are naturally overjoyed.  So delighted is Antoine Peyralout, a bread deliveryman, by this news that he crashes his delivery tricycle into his boss's shop and promptly loses his job.  Antoine is not too downhearted by his dismissal, because he now knows that he can attend the Cup Final, to be held in Nice in a few days' time.  In his customary cheery frame of mind, Antoine sets out on the long road journey on his tricycle, and has plenty of adventures along the way.  Falling in with some country folk, he gets himself blind drunk and ends up having to chop up a huge stack of wood.  He follows this by unwittingly setting free some cattle and setting fire to some hay.

After this amusing little escapade, Antoine is struck down with a romantic infatuation when his path crosses that of the lovely Popeline.  As soon as he sees this divine nymph, bathing nude in the river, Antoine knows she is the girl for him.  Alas, she would rather hitch-hike than accept a lift on his tricycle.  Jean-Claude shows up in his sports car and not only does he offer Popeline a seat in his car, he also agrees to tow Antoine's own vehicle.  Beware the Greeks bearing gifts...  The journey may not have been quite as comfortable as Antoine might have wished, but he finally manages to get to Nice in time for the match, although his adventures are far from over.  When one player in the Vauxbrelles team walks away, Antoine is forced by the mischievous hand of serendipity to take his place...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Jacques Pinoteau
  • Script: Jean Aurel, René Fallet (novel), Jacques Pinoteau, Jacques Vilfrid
  • Cinematographer: Pierre Petit
  • Music: Michel Legrand
  • Cast: Darry Cowl (Antoine Peyralout), Béatrice Altariba (Popeline), Pierre Mondy (Un gendarme), Roger Carel (Un paysan), Maurice Gardett (Le speaker), Jacques Thébault (Un copain de Jean-Claude), Christian Nohel (Un copain de Jean-Claude), Jean Ozenne (Gérard Ducottait), Pierre Doris (Le voyageur à la deux-chevaux), Jacques Hilling (L'entraîneur du club), Les Whisky Bros (Themselves), Christiane Muller (Une copine de Jean-Claude), Alain Bouvette (Un soigneur), Bob Ingarao (Boulet-de-canon), Mario David (Dabek), Robert Arnoux (Le dirigeant), Grégoire Aslan (Mouillefarine), Jean-Claude Brialy (Jean-Claude), Amarande (Marceline), Jess Hahn (Daniel)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 93 min
  • Aka: The Tricyclist

The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright