Le Retour de Martin Guerre (1982) Directed by Daniel Vigne
Drama / History / Romance
aka: The Return of Martin Guerre
Film Review
One of the better period dramas of the 1980s, this film is particularly noteworthy because
of the exceptional performances of its too stars, Gérard Depardieu and Nathalie
Baye.
Despite the simplicity of its plot, Le Retour de Martin Guerre makes a compelling
film, laden with suspense and intrigue. The quality of the set and costume design is also
worth mentioning because these contribute greatly to the atmosphere of the piece.
The film was so popular that it inspired a bland remake (the American film Sommersby
in 1993) and, some would argue, an even shoddier stage musical. Only Daniel
Vigne's attractive film really does justice to the touching Martin Guerre story.
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Film Synopsis
Early in the 1500s, there is a mood of celebration in the small village of
Artigat in the Ariège region of southwest France. A wedding
is taking place between Martine Guerre and Bertrande de Rols, two children
who come from two of the wealthiest families in the district. The marriage
proves not to be a happy one. Even though the couple have a son, Sanxi,
their feelings for one another soon cool and they are barely on speaking
terms. One day, on the spur of the moment, Martin walks out of his
home, departs from the village, and is seen no more. Eight years later,
a man arrives at the village and Bertrande recognises him as her long-lost
husband.
It is apparent that Marin has changed quite a bit since he was last seen
in the village but he manages to convince the villagers that he is the same
man who went off eight years ago to fight in the wars. Within no time,
he and Bertrand have resumed their former relationship, but with a noticeably
reinvigorated passion. It isn't long before doubts as to the newcomer's
identity begin to surface. Some of the villagers suspect that the man
claiming to be Martin Guerre is an impostor. If this is so, he and
Bertrande are guilty of committing adultery, which in these times is a capital
offence. Despite Bertrande's insistence that the man who shares her
bed is indeed her husband a trial is arranged to establish whether or not
he is who he claims to be. The verdict looks as if it will go in his
favour, but at the last moment another witness shows up, claiming that he
is the real Martin Guerre...
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.