Le Plus beau métier du monde (1996)
Directed by Gérard Lauzier

Comedy / Drama
aka: The Best Job in the World

Film Review

Abstract picture representing Le Plus beau metier du monde (1996)
Gérard Depardieu gives a typically robust performance in this surprisingly dark black comedy about the trials and tribulations of being a schoolteacher in an inner city school in Paris.  Despite the simplistic ending (where all the problems are suddenly and miraculously solved by a single piece of good fortune) the film does offer a fairly convincing account of life in some rough multi-ethnic areas of France.  The film is well paced, the characters are well drawn (up to a point), and the mix of comedy and dramatic tension generally works quite well.  The scenes with Daniel Prévost are by far the most memorable bits of the film, helping to compensate for the film's sillier moments.  Overall, an entertaining film - albeit one which accurately reflects some very depressing truths.
© James Travers 2004
The above content is owned by filmsdefrance.com and must not be copied.
Next Gérard Lauzier film:
T'empêches tout le monde de dormir (1982)

Film Synopsis

After an acrimonious divorce, Laurent Monier takes a teaching job in a problem area just outside Paris so that he can be near to his children.  He finds himself in the school from Hell, where the teachers have no authority, the pupils run riot and the senior staff have long given up trying to bring any notion of discipline into the classroom.  Monier is assigned the worst class in the school and his new pupils waste no time turning his life into a nightmare.  He immediately gets on the wrong side of Aziz, a tough Arab boy whose brother, Ahmed, is the leader of a band of thuggish criminals.  Before long, Monier finds his life is scarcely worth living...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Gérard Lauzier
  • Script: Gérard Lauzier
  • Cinematographer: Jean-Yves Le Mener
  • Music: Vladimir Cosma
  • Cast: Gérard Depardieu (Laurent Monier), Michèle Laroque (Hélène Monier), Souad Amidou (Radia Ben Saïd), Ticky Holgado (Baudouin), Guy Marchand (Gauthier), Philippe Khorsand (Le gardien de l'immeuble), Daniel Prévost (Albert Constantini), Roschdy Zem (Ahmed Raouch), Mouss Diouf (Momo), Faisal Attia (Nacir), Prisca Songo (Malou Keita), Ouassini Embarek (Mouloud), Laurent Jaubert (Aziz Raouch), Françoise Christophe (Mme Davant), Vincent Solignac (Rivet), Michel Peyrelon (Le commissaire de police), Gilles Veber (Daniel Benichou), Beata Nilska (Madame Nothereau), Francis Lemaire (Le proviseur du lycée Fénelon), Daniel Berlioux (Professeur Fénelon)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 105 min
  • Aka: The Best Job in the World

The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright