Film Review
After their successful first collaboration on
Le Coup de sirocco (1979),
director Alexandre Arcady and actor Roger Hanin joined forces to
deliver this lavish modern gangster film, generously paying homage
to similar American offerings such as Francis Ford Coppola's
Godfather
films as they did so.
Well, they say imitation is the sincerest form of flattery...
To describe
Le Grand pardon as derivative is understating matters
somewhat. It is a wholesale rip-off which, far from venturing something
fresh and original, is content to serve up a luke-warm mass of clichés
and borrowed situations plundered from other films, including French crime
films such as
Le Clan des Siciliens (1969).
Throughout his career, Arcady has shown a consistent knack of knowing what
appeals to the mainstream but this, like so much of his work, is the
cinematic equivalent of junk food - all surface gloss, with little
underlying substance. Roger Hanin's portrayal of a gangland boss is pure
caricature, as secondhand as the rambling plot that plods wearily
over well-trodden ground. The film's one saving grace is a chilling
performance from Bernard Giraudeau, who is excellent as the principal bad guy.
Crass and formulaic though the film is, it managed to be
a notable box office hit in France, attracting an audience of 2.2 million.
The film's popularity led Arcady to make a sequel, the imaginatively
titled
Le Grand pardon II, ten years later.
© James Travers 2004
The above content is owned by filmsdefrance.com and must not be copied.
Next Alexandre Arcady film:
Le Grand carnaval (1983)
Film Synopsis
At the age of 50, Raymond Bettoun finds himself at the head of one of the
most notorious gangster clans in France, one that is proud of its Jewish
pied-noir ancestry. The police, in particular Superintendent Duché,
have been trying to bring him to justice for years, all to no avail.
The king of the Parisian underworld, Bettoun demonstrates both his power
and his cunning by arranging a ruthless killer's release from police custody,
knowing full well that the killer's first act will be to take out Bettoun's
main rival, Carreras. In Pascal Villars, the gangster boss believes
his has a faithful lieutenant, a man willing to execute his orders without
question.
In fact, Villars is about to become Bettoun's most dangerous enemy, by killing
a useful ally and thereby driving a wedge between the gang's Jewish and Arab
factions. Duché can now step in and arrest Bettoun, allowing the latter's
son Maurice to take over his criminal empire. Within no time the city
is awash with blood, Duché has no other choice but to release his
prize prisoner in order to stop the carnage before it gets completely out
of hand. When Bettoun realises who is to blame for all this mayhem
he goes after him and ensures he is dealt a fitting retribution...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.