La Symphonie pastorale (1946)
Directed by Jean Delannoy

Drama / Romance
aka: Pastoral Symphony

Film Review

Abstract picture representing La Symphonie pastorale (1946)
Director Jean Delannoy's interpretation of André Gide's powerful and moving novel La Symphonie pastorale makes a memorable piece of cinema.  The pastor is treated sympathetically, although the contradiction with his position of authority is not evaded.  We share Gertrude's ambivalence when she recovers her sight and finds that her protector's love is somewhat more than paternalistic - neither pity or repulsion - although it is clear that both the pastor and Gertrude have lost something special.  Delannoy paints a tragic scenario where individual happiness is destroyed by the constraints of convention and false expectations, and the film's conclusion is perhaps one of the most tragic and upsetting in cinema history.

The film is beautifully photographed, and one easily senses the isolation and remoteness of the small village community.  The scene where a blind Gertrude is trying hopelessly to recover the shoe of a young boy has an air of classic tragedy.  The most effective and moving scene, however, is when Gertrude emerges from the hospital, having recovered her sight, and sees snow for the first time.  "So this is snow", she says quietly, enchanted.

And Michèle Morgan is indeed at her most enchanting in the role of Gertrude.  It is probably her best screen performance, and one that won her the Best Actress award at the very first Cannes Film Festival in 1946.  There is scarcely a scene in the film where she fails to trigger a deep emotional response.  We share her unhappiness and vulnerability when she is blind and feeling useless.  We delight when she walzes in the arms of the young man who has fallen in love with her.  We are captivated by her joy when she recovers her sight.  And we are moved to tears when, through no fault of her own, she loses her happiness at the end of the film.  This is Michèle Morgan at her best.  Few actors and actresses are able to win the empathy of a cinema audience so completely.

This is a great piece of French cinema from an experienced and highly respected director.  Neither overly sentimental or theatrical, La symphonie pastorale is a tragic and moving story that is perfectly constructed in the medium of film.
© James Travers 1999
The above content is owned by filmsdefrance.com and must not be copied.
Next Jean Delannoy film:
Les Jeux sont faits (1947)

Film Synopsis

The young pastor of a mountain village adopts a small blind girl, Gertrude.  As Gertrude grows up into an attractive young woman the pastor, now middle-aged, realises that he is in love with her.  To his chagrin, his adopted son, Jean, is also in love with Gertrude, even though he is shortly to be married to another woman.  Jean's fiancée is jealous of Gertrude and arranges for her to see a doctor in the hope that she might be cured and to enable Jean to choose equally between the two women.  Miraculously, Gertrude's sight is restored and she returns to the village a changed woman.  Unable to accept Jean's love and disappointed by the pastor's affections for her, she realises that her former happiness has been lost forever.
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Jean Delannoy
  • Script: André Gide (novel), Jean Aurenche, Jean Delannoy, Pierre Bost (dialogue)
  • Cinematographer: Armand Thirard
  • Music: Georges Auric
  • Cast: Michèle Morgan (Gertrude), Pierre Blanchar (Le pasteur Jean Martens), Line Noro (Amélie Martens), Jean Desailly (Jacques Martens), Andrée Clément (Piette Castéran), Jacques Louvigny (Castéran), Rosine Luguet (Charlotte Martens), Mona Dol (Soeur Claire), Robert Demorget (Pierre Martens), Hélène Dassonville (Mademoiselle de la Grange), Germaine Michel (La vieille paysanne), Florence Brière (Une amie de Gertrude), Albert Glado (Paul Martens), Renée Bouzy (Gertrude enfant), Marius David (Petit rôle)
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 110 min
  • Aka: Pastoral Symphony

The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright