La Loi de Murphy (2009) Directed by Christophe Campos
Comedy / Crime / Thriller
aka: Murphy's Law
Film Review
Well, assuming you haven't been completely put off this film by its
frenetic, sickeningly pretentious opening credits sequence, which does
just about everything it can to create a stampede towards the door
marked 'exit', you're unlikely to derive much consolation or enjoyment
from what follows in this decidedly facile comedy. Christophe
Campos may have a future as a graphic design artist, but, judging by
his first feature length film, it is unlikely he will make much impact
as a director. Here he throws an extremely talented ensemble - Pio
Marmaï, Dominique Pinon, Fanny Valette, Omar Sy (future star
of the French hit comedy Intouchables) -
into his cinematic helter-skelter, much as a careless butcher might throw meat
into a mincer, with a not too dissimilar outcome. La Loi de Murphy starts out with a
reasonable premise but instead of building on this it merely mauls it
to death like a half-starved wolf eating its own cubs. Hideously
self-conscious and inept to a staggering degree, it's amazing the film
was ever able to find a distributor, let alone an audience.
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Film Synopsis
Elias can hardly wait to complete his two year suspended sentence in the
hospital where he works as a nurse. He has just a few hours to go and
then he will be a free man - but a lot can happen in two hours, as he soon
discovers. It all begins when Rudy, one of his former criminal associates,
is admitted to hospital after being injured in a car crash. The accident
happened whilst Rudy was fleeing from the dreaded Ortega brothers, just after
he had run off with a haul of diamonds they had just stolen. Elias
is far from pleased to learn that the precious booty is concealed somewhere
in the hospital. With police and criminals crawling all over the premises
Elias knows that he has only a short time to recover the stolen jewels before
his friend Rudy is found and subjected to a far from pleasant send off...
Continental Films, quality cinema under the Nazi Occupation
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.