Film Review
L'Invité surprise sees director
Georges Lautner return to the genre that he virtually made his own in the 1960s, namely the comedy
thriller.
Alas, this latest zany Lautner offering is no
Les Tontons flingueurs or
Ne nous fâchons pas,
but rather a somewhat half-baked comedy that gets tangled up
in its wild plot convolutions and ends up looking like
a second rate American television crime drama with random gags thrown in.
Judging by this film and some of the ones that preceded it, it looks as if
Lautner has definitely lost his touch.
There are admittedly one or two good laughs along the way, but these are
too few and far between to make the film worth watching.
Even such comedy heroes as Jean Carmet and Michel Galabru are reduced to parodying themselves
in a clumsy attempt to inject some humour into the proceedings.
The gimmicky idea of having the story told from the perspective of a supposedly dead man
is an obvious steal from Billy Wilder's
Sunset Boulevard (1950)
but it adds to the film's quirkiness and prevents it from being a routine
policier. Ultimately it is left to Victor Lanoux and Eric Blanc
to salvage the film as best they can - a feat they just about manage
to pull off as the odd-ball father and son.
© James Travers 2005
The above content is owned by filmsdefrance.com and must not be copied.
Next Georges Lautner film:
L'Inconnu dans la maison (1992)
Film Synopsis
Invité surprise is a popular reality TV show in which a man
is apparently shot dead 'on air', to the consternation of a shocked audience.
The 'victim', Martin Gaillard, is in fact unharmed and goes on to relate
his bizarre personal history. It all began a few days ago, when Martin
was an obscure Parisian tourist guide. He supplements his income by
selling canvasses painted by his adopted father, Charles Mazzena, a former
police chief who was forced into early retirement after falling from grace.
Having witnessed a car bombing in front of a restaurant, Martin begins his
own investigation, his only lead being a photograph of the supposed bomber.
Without delay, the young man hands over the negatives to a woman photographer
to develop them, but before she can do so she is attacked and the incriminating
photographs are taken from her. This prompts Martin to wonder if the
French security forces may have had a hand in the bombing. Intrigued,
Mazzena begins making enquiries of his own and learns, from an old informer,
that the KGB are the ones who planted the car bomb. Suspecting a state
conspiracy, Martin airs his own opinions about the bombing in a radio broadcast,
which immediately makes him and his adopted father the target of some mysterious
hit-men. It seems that someone in a position of power is very keen
to see have Martin and Mazzena silenced for good...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.