Film Review
L'Alibi is one of two very popular film noir
thrillers made by the French film director Pierre Chenal in the 1930s. The other,
Le
Dernier tournant (1939), was the first film adaptation of the novel
The
Postman Always Rings Twice. From a stylistic point of view, both films are
rather good examples of early film noir. Deep focus, high contrast black-and-white
photography, confined shadowy sets - all the familiar noir techniques are used to create
a sense of mystery, menace and mayhem.
Where
L'Alibi falls down is its weak script.
The characters are simplistic caricatures, and the plot lacks originality and depth.
The silly happy ending tagged on at the end of the film jars painfully with the sombre
mood which preceded it. On the plus side, there is a great cast which includes some
of the most celebrated screen actors of the 1930s - Louis Jouvet, Erich von Stroheim,
Albert Préjean and Jany Holt. Jouvet is particularly memorable as a
tenacious cop who seems prepared to sacrifice any principles to get his man - the kind
of dark, morally ambiguous role which the actor plays so well.
© James Travers 2007
The above content is owned by filmsdefrance.com and must not be copied.
Next Pierre Chenal film:
L'Homme de nulle part (1937)
Film Synopsis
Professor Winckler is a distinguished master of the occult sciences and telepathy.
Whilst he is performing his famous mind-reading act at a Parisian nightclub,
he is surprised to see his most hated enemy, an American named Gordon, sitting
in the audience. Winckler has never forgiven Gordon for having an affair
with his wife, so after the show he follows him and shoots him dead.
To furnish himself with a cast-iron alibi, he then bribes Hélène,
a young woman who works in the nightclub, to swear to the police that she
was with him at the time Gordon met his death. The convenient alibi
does not fool Superintendent Calas, who, certain that Winckler is the killer,
sets out to prove his guilt. Meanwhile, Hélène is having
second thoughts about sticking to her story, but Winckler piles on the pressure
to ensure his alibi sticks. A young police inspector and colleague
of Calas, André Laurent gains the confidence of Hélène
and is sure she will retract the alibi. Despite pressure from Calas,
the young woman resists, knowing what will surely befall her if she were
to betray a dangerous and cunning man like Winckler...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.