I Want to Go Home (1989)
Directed by Alain Resnais

Comedy / Drama

Film Review

Abstract picture representing I Want to Go Home (1989)
Although pretty mundane when compared with Resnais' earlier cinematographic achievements, this is nonetheless an entertaining satire, having the quality of characterisation and narrative structure we have come to expect of this master of French cinema.

Resnais's motivation for making this film is his own life-long interest in strip cartoons, a hobby which has far more legitimacy amongst adults in France than probably anywhere else in the world.  The main characters in the film are initially presented as almost comic-book creations who evolve into fully blooded human beings as the origins for their extreme behaviour is gradually unveiled.  The best instance of this is the central character, Wellman, who appears at first to be the archetypal loud-mouthed American whose first day in Paris is his worst nightmare come true.

Wellman, brilliantly played by Adolph Green (the celebrated writer of the Hollywood classic Singin' in the Rain), appears to undergo a major transformation in the course of his trip to France.  However, what changes most is our interpretation of Wellman, how we ourselves see the peculiar little man.  This is, if anything, a film about the folly of prejudice and preconceived notions of what is worthy of merit.  Bugs Bunny and Madame Bovary are both, in their own way, works of genius.

The film is a little marred by some unnecessary comic ideas which appear rather silly and weaken the drama considerably - for instance the lame jealous boyfriend sequence culminating in an awful bedroom brawl.  Also, some would lampoon Resnais' curious decision to use a cartoon figure (the increasingly irritating Sallycat) to act as the conscience of the film's main protagonists.

However, the film's greatest source of irritation is its constant flipping between French and English, which results in the film appearing poorly dubbed, whether viewed in its French or English version.

However, for all its noticeable weaknesses, the film does have some extremely funny moments which, for some spectators at least, should  just about make up for these negative aspects.
© James Travers 2001
The above content is owned by frenchfilms.org and must not be copied.
Next Alain Resnais film:
Smoking / No Smoking (1993)

Film Synopsis

An ageing American cartoonists, Joey Wellman, makes a visit to Paris to attend an exhibition of his work.  He plans to meet up with his daughter, Elsie, who is studying at the Sorbonne, but she has little respect for her father and fails to keep the rendez-vous.  By chance, Wellman meets and is befriended by a celebrated academic, Christian Gauthier, an admirer of his work and, ironically, the man whom Welmman's daughter has desperately been trying to meet for the past few months.  Although he is feeling increasingly uneasy with French culture, Wellman reluctantly agrees to accept an invitation to spend the weekend with Gauthier and his entourage…
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Alain Resnais
  • Script: Jules Feiffer
  • Cinematographer: Charles Van Damme
  • Music: John Kander
  • Cast: Adolph Green (Joey Wellman), Laura Benson (Elsie Wellman), Linda Lavin (Lena Apthrop), Gérard Depardieu (Christian Gauthier), Micheline Presle (Isabelle Gauthier), John Ashton (Harry Dempsey), Geraldine Chaplin (Terry Amstrong), Caroline Sihol (Dora Dempsey), Catherine Arditi (La boulangère), Albert Benchamoul (Un vieux villageois), Françoise Bertin (La cliente de la marchande de légumes), Patrick Bonnel (Le boucher), Charlotte Bonnet (La femme chauffeur de taxi), Jean Champion (Le chauffeur de taxi), Emmanuelle Chaulet (La secrétaire de Gauthier), Jean-Marc Cozic (Tintin), Pierre Decazes (Le garagiste), Tony Dias (Valentina), Guillaume Farny (Bateman), Georges Fricker (Roxy Darcel)
  • Country: France
  • Language: French / English
  • Support: Color
  • Runtime: 100 min

The very best of French film comedy
sb-img-7
Thanks to comedy giants such as Louis de Funès, Fernandel, Bourvil and Pierre Richard, French cinema abounds with comedy classics of the first rank.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright