Face à la mort (1925)
Directed by Gérard Bourgeois, Harry Piel

Crime / Drama
aka: Swifter than Death

Film Synopsis

The writer Harry Piel fancies himself as an amateur detective.  When he learns that Jack Brown, the crook he helped to put behind bars, has escaped from prison, he decides to go after him.  He must also take on Brown's scheming accomplice, Eric Holsen, who is planning to marry the beautiful widow Madame Christensen so that he can rob her of her fortune...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Gérard Bourgeois, Harry Piel
  • Script: Gérard Bourgeois, Edmund Heuberger, Herbert Nossen, Harry Piel
  • Cinematographer: Georg Muschner, Gotthardt Wolf
  • Cast: Harry Piel (Harry Piel), Denise Legeay (Lizzie), José Davert (Jack Brown), Fred Berger (Éric Holsen), Dary Holm (Christensen), Marguerite Madys (Yvette Riccoldi), Paul Guidé (Le duc de Frontignac), Albert Paulig (L'éditeur Riccoldi), Hermann Picha
  • Country: France / Germany
  • Language: French
  • Support: Black and White / Silent
  • Runtime: 100 min
  • Aka: Swifter than Death

Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright