Éducation de prince (1938)
Directed by Alexander Esway

Comedy
aka: Bargekeepers Daughter

Film Review

Abstract picture representing Education de prince (1938)
A stellar cast is somewhat wasted on this middling comedy which recycles the old Ruritania plot ideas that continued to infect cinema long after Anthony Hope's novel The Prisoner of Zenda had its first screen adaptation.  Éducation de prince is in fact based on a play by Maurice Donnay, which had previously been adapted by Henri Diamant-Berger in 1927.  The script was written (with little in the way of flair and originality) by Henri-Georges Clouzot and Carlo Rim, who would both go on to become capable film  directors.  Alexandre Esway directs the film with his customary workmanlike lack of inspiration, showing even less flair for comedy than he would do on his subsequent Fernandel comedies Barnabé (1938) and Hercule (1939).

The film's charms lie not in its rehashed plot, which serves up the usual morass of clichés and caricatures, but in its starry cast, headed by an impeccable Louis Jouvet, who provides most of the well-restrained laughs as a pompous purveyor of court etiquette.  André Alerme is occasionally amusing as a greedy financier who is driven to desperate measures to rescue his ailing cash-flows and Charpin makes a welcome albeit somewhat superfluous appearance as Alerme's moral opposite, an honest sort who enjoys the simple pleasures in life.  A bevy of beauties - Elvire Popesco, Josette Day and Mireille Perrey - provide no shortage of glamour, but the star of the film is 18-year-old Robert Lynen who, as the titular prince, is the only cast member to shine in this lacklustre timewaster.
© James Travers 2017
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Silistria, a small country in the Balkans, is in a state of permanent revolution, which is not good for business.  The financier Chautard is the man who suffers most from this neverending succession of coups d'états.  Every time there is a change of government, he has to renegotiate his contracts to exploit the country's mineral wealth, a costly and time-consuming business.  Deciding that this cannot go on, Chautard intends to have the royal family of Silistria reinstated.  Presently, they are living as poor exiles in Paris.  The queen, Sophie, continues to live her extravagant lifestyle by handing out titles instead of cash to her dressmakers and grocers, whilst her son Sacha, now in his late teens, attends a Parisian college where he gets caught up in the usual student hi-jinks, including political demonstrations.  To make Sacha a suitable monarch for his country, Chautard engages the services of René Cercleux, who will teach him all he needs to know about royal etiquette and deportment.  Unfortunately, Sacha has little enthusiasm for returning to Silistria as he has fallen in love with Marianne, a girl of his own age who has no fortune of her own.  She is merely the daughter of a poor but contented toy maker, Monsieur Honorat - hardly a suitable consort for a young prince...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Alexander Esway
  • Script: Paul Madeux, Henri-Georges Clouzot, Maurice Donnay (play), Carlo Rim (dialogue), Carlo Rim
  • Photo: Léonce-Henri Burel
  • Music: Manuel Rosenthal
  • Cast: Elvire Popesco (La reine de Silistrie), Louis Jouvet (René Cercleux), André Alerme (Chautard), Fernand Charpin (Honorat), Josette Day (Marianne Honorat), Robert Lynen (Le prince Sacha), Mireille Perrey (Gisèle Beryl), Geymond Vital (Le génral Braoulitch), Jean Témerson (Hector, le valet de chambre), Sylvain Itkine (Le professeur Mehara), Marcel Barencey (Le général destitué), Jean Daurand (Le camarade de Marianne), Georges Douking (Pausanias), Pierre Ferval (Le maître d'hôtel du Ritz), Albert Broquin (Le boucher), Alexandre Mihalesco (Selim)
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 88 min
  • Aka: Bargekeepers Daughter

The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The very best of French film comedy
sb-img-7
Thanks to comedy giants such as Louis de Funès, Fernandel, Bourvil and Pierre Richard, French cinema abounds with comedy classics of the first rank.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright