Film Review
Dracula
(1931) was the first in Universal Pictures' series of gothic horror
films but it took a full five years before the company made a sequel to
this film (remarkable when you consider how popular it had been).
That sequel,
Dracula's Daughter,
is widely considered the best of Universal's vampire offerings,
surpassing the original 1931 film in both its narrative complexity and
its production values.
Dracula's Daughter originated
as a treatment of a short story by Bram Stoker (entitled
Dracula's Guest) which was
originally part of his
Dracula
novel. MGM executive David O. Selznick bought the rights to the
story from Stoker's widow and subsequently sold these on to Universal
at a profit, knowing that he would not be able to make a film himself
with the name Dracula in the title.
In her first leading film role, Gloria Holden is cast as the titular
vampiric offspring and looks perfect for the part, even though she
resented having to play it. Her cold elegance and air of disdain
give her a chilling alien quality which makes her the scariest and
sexiest of all the screen vampires. Much has been written about
the film's lesbian overtones and there is certainly an overt dark
sensuality in Holden's scenes with her female victims.
Stylishly directed by Lambert Hillyer (better known as a director of
westerns),
Dracula's Daughter
is far better paced than the original
Dracula
film, although it is perhaps slightly less atmospheric. With is
satisfying blend of horror and comedy, it is without doubt one of the
most enjoyable of Universal's early horror films.
© James Travers 2009
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
Arrested by Scotland Yard for the murder of Count Dracula, Professor
Van Helsing contacts one of his former students, the psychiatrist Dr
Jeffrey Garth, to defend him in his impending trial. Meanwhile,
Dracula's body has been stolen by a mysterious young woman named
Countess Marya Zaleska, who is in fact the vampire's daughter.
The Countess burns her father's body, believing that this will exorcise
the evil within her and make her a normal human being. When this
fails, she tries to persuade Dr Garth to use his knowledge of the mind
to save her. When Garth refuses to help her, the Countess flees
to her father's castle in Transylvania, taking with her Garth's
assistant, Janet. Garth has no choice but to follow, not knowing
that the Countess has resolved to transform him into a vampire...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.