Coeur-sur-Mer (1951) Directed by Jacques Daniel-Norman
Comedy / Musical
Film Review
A hackneyed plot punctuated by musical numbers of the most dismal
kind... There's not much to like about Coeur-sur-Mer, even though it
boasts the comedic talents of some fine performers - Jean Tissier,
Armand Bernard and Pauline Carton, to name just three. Directed
with no real enthusiasm or flair by Jacques Daniel-Norman (the man who
would later lend his support to Tino Rossi's most outrageous cinematic
atrocity, Son dernier Noël), the
film withers and dies even before it has reached the end of the first
reel. Thereafter, it's about as stimulating as watching paint dry
- endurable only for someone with an exceptionally high boredom
threshold.
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Film Synopsis
Endive-Meunier, a successful silk dealer in Lyon, is carrying on an
affair with his secretary which he is determined to keep from his
wife. He accompanies his secretary to the seaside town of
Coeur-sur-Mer where, to his surprise, he runs into Claudius Paquito, a
former employee of his who now runs a bar. Claudius has every
reason to bear a grudge against the silk trader, as he dismissed him
for insolence...
Script: Jacques Daniel-Norman,
Marcel-Éric Grancher (novel),
Jean-Charles Reynaud
Cinematographer: André Germain
Music: Louiguy
Cast: Armand Bernard (Modeste Cotivet),
Pauline Carton (Apolline Meunier),
Jacques Charon (Le prince de Synoire),
André Claveau (Claudius Paquito),
Daisy Daix (Lulu de Sainte-Cassette),
Emile Duard (Le monsieur triste),
Charlotte Ecard (Gertrude),
Louis Florencie (Albert),
Serge Grave (Un employé de soierie),
Julien Maffre (Le garçon),
Mona Monick (Monique Limoux),
Fred Pasquali (Endive-Meunier),
Edouard Rousseau (Un employé de soierie),
Marcel Rozet (Un employé de soierie),
Fernand Sardou (Titin),
Jackie Sardou (La bonne de Lulu),
Solange Sicard (Madame Bonlieu),
Georgette Tissier (L'amie de l'Anglais),
Jean Tissier (Palamède),
Roger Balthys
Country: France
Language: French
Support: Black and White
Runtime: 105 min
The very best of French film comedy
Thanks to comedy giants such as Louis de Funès, Fernandel, Bourvil and Pierre Richard, French cinema abounds with comedy classics of the first rank.
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.