Film Review
Rudyard Kipling's classic collection of short stories
The Jungle Book -
first published in 1894 and an essential part of any child's education -
is brought to life in this sumptuous visual feast, courtesy of the
famous Korda brothers (Alexander and Zoltan) and the technical wizardry
of Hollywood at its best in the early 1940s. Superior even to the
better known Disney animation, this film brilliantly evokes the world
of Kipling's imagination and experience, with lush colour
cinematography and convincing recreations of the Indian jungle
providing the texture and backdrop to a beguiling childhood fantasy.
And who better to play the part of the feral child Mowgli than Sabu, the
charismatic young Indian actor who was discovered by producer Alexander
Korda? By this stage, Sabu had become an internationally
renowned star, having featured in three of Korda's films, including
The Drum (1938) and
The Thief of Bagdad
(1940), yet he had lost none of his unspoiled boyish charm. Sabu
appears as at home in the jungles of India as
the wild animals that he befriends and you can easily believe that
Kipling had him in mind when he created the character of Mowgli.
Through some clever editing and seamless special effects, each of the
animal protagonists in the story is given a memorable personality, from
the sadistic predator Shere Khan to the prissily vain python Kaa and
the silkily smooth panther Bagheera. Meanwhile, the humans are
portrayed as ignoble, self-interested savages who are unwelcome
intruders in the jungle paradise that Mowgli inhabits. Viewed
today, the film has an obvious conservationist, anti-capitalist slant
and appeals to us to respect the natural world and not waste our lives
in pursuit of material wealth. (The bare necessities are enough -
oops, wrong film.) The Korda brothers'
Jungle Book is a piece of pure cinema magic that
continues to enchant and delight audiences of all ages.
© James Travers 2009
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
In India, a party of British tourists listen in rapture as an old local
storyteller recounts a tale from his youth. Years ago, he lived
in a village that was attacked by the tiger Shere Khan. A man was
killed and his infant son left behind, to be found by wolves which
reared him as one of their own. The child, named Mowgli by his
wolf mother, grows into a wild man-cub and, one day, he is discovered
by the villagers. The boy's mother recognises him as her long
lost child and teaches him to speak her language, although the other
villagers are mistrustful and are ready to expel Mowgli from their
community. The boy takes a liking to Mahala, the pretty daughter
of the villager Buldeo. One day, Mowgli takes his new friend into
the jungle and shows her the remains of an abandoned city, in which an
ancient cobra watches over a ruined palace filled with precious jewels
and gold coins. Mahala takes one of the coins back to the
village. When her father sees the coin, he tries to coerce Mowgli
into taking him to the lost city. The jungle boy refuses, knowing
that death will come to those who take the forbidden treasure.
Besides, he has his own task to perform - to hunt down and kill Shere
Khan...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.