Chacun cherche son chat (1996)
Directed by Cédric Klapisch

Comedy / Romance
aka: When the Cat's Away

Film Review

Abstract picture representing Chacun cherche son chat (1996)
With its familiar urban setting, in an ordinary area of Paris, and naturalistic performances (helped by the fact that most of the cast are non-professional actors), Chacun cherche son chat is less a story about a young woman's quest to find her lost cat and more a portrait about the morals and attitudes of contemporary society.   The trivial story about the missing cat is really just a pretext for director Cédric Klapisch to examine the psychology and responses of individuals living in a cloistered metropolitan environment.  This may not sound like a promising recipe for a good film, but Klapisch's flair for capturing real-life situations on film, in a way that is familiar yet somehow fresh and invigorating, makes this an entertaining and thought-provoking film. It is a worthy follow-up to Klapisch's first two features, Riens du tout (1992) and Le Péril jeune (1994).

Garance Clavel's performance as Chloé is appropriately subdued but the young actress provides an essential pivot around which the drama (such as it is), and the more colourful characters, revolve.  The richness of Parisian society is reflected in this film to a far greater extent than many modern French films, including representations from a dizzying diversity of races, professions, ages and lifestyles.  The film's star, if there is one, has to be the formidable Renée Le Calm, an arthritic septuagenarian who out-does her younger co-stars in charisma, charm and energy.  Hers is a performance that is not easy to forget - for the simple reason that (like many characters in the film, being a non-professional actor) she is playing herself.

Klapisch originally envisaged this film to be a short film running to around 20 minutes, but he extended it when he discovered the wealth of material he had in the minor characters.  Unfortunately, this is all too noticeable in the final film, and it is the array of minor characters (most notably the army of elderly women who are galvanised into action to find the lost cat) which dominate the film, to the extent that the main characters often disappear from view too often and for too long.  Depending on your attitude to contemporary European cinema, this is either a minor blemish or a major fault.  However, it is undoubtedly true that Klapisch shows great originality and panache in his filming, transforming a mundane plot into a multi-faceted study of contemporary life, sometimes comic, sometimes contemplative, yet constantly Klapisch.
© James Travers 2001
The above content is owned by filmsdefrance.com and must not be copied.
Next Cédric Klapisch film:
Un air de famille (1996)

Film Synopsis

Chloé is a young make-up assistant living in Paris.  She shares an apartment with a gay friend Michel and her treasured cat Gris-Gris.  Before setting off on her holidays, Chloé takes care to leave her pet with someone she can trust, an elderly neighbour named Madame Renée, who adores cats and has had several of her own.  When Chloé returns she is greeted with the terrible news that her cat has gone missing.  Without delay, she embarks on a frantic search for the stray animal, enlisting as she does so the help of her friends Michel and Djamel, and pretty well all of the old women in the area.  After an anxious period of waiting comes the terrible news that a cat meeting the description of Chloé's pet has been found dead in an area of wasteland.  To the young woman's relief it is not Gris-Gris.  Djamel then risks his neck trying to reach a cat on a roof - again another false alarm.  With what seems like half of Paris busy looking for her cat, Chloé embarks on another quest - to find her ideal soul mate.  She has more chance of finding her cat...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Cédric Klapisch
  • Script: Cédric Klapisch
  • Cinematographer: Benoît Delhomme
  • Cast: Garance Clavel (Chloé), Zinedine Soualem (Djamel), Renée Le Calm (Madame Renée), Olivier Py (Michel), Arapimou (Gris-Gris, le chat), Rambo (Rambo, le chat), Simon Abkarian (Carlos), Frédéric Aufray (Photographer), Olivier Barny (Un ouvrier ébéniste), Jane Bradbury (Un mannequin), Joël Brisse (Le peintre Bel Canto), Olympe Brugeille (Madame Brugeille), Franck Bussi (Mec aggressif), Marilyne Canto (La femme flic), Aline Chantal (Madame Doubrowsky), Antoine Chappey (Mec bourré), Pascal Chardin (Le peintre démémangeur), Andrée Damant (Madame Dubois), Hélène de Fougerolles (Un mannequin), Marine Delterme (Un mannequin)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 91 min
  • Aka: When the Cat's Away

The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright