César (1936)
Directed by Marcel Pagnol

Drama / Romance

Film Review

Abstract picture representing Cesar (1936)
The final instalment in Marcel Pagnol's famous romantic trilogy provides a fitting conclusion to a remarkable and entertaining series of films.  Raimu gives one of his best screen performances as the film's central character, the café owner César, capable supported by Pagnol's familiar troupe which includes Pierre Fresnay, Orane Demazis and Fernand Charpin.

Ironically, César was the only film in the trilogy to be made on film before being performed on stage (it was also the only one to be directed by Pagnol himself).  This reflected Pagnol's own view that cinema had overtaken the theatre as the primary medium for dramatic art.
© James Travers 2001
The above content is owned by filmsdefrance.com and must not be copied.
Next Marcel Pagnol film:
Topaze (1936)

Film Synopsis

Twenty years after her first sweetheart Marius abandoned her to seek adventure on the high seas, Fanny is still married to Panisse and her son Césariot remains ignorant as to the identity of his real father.  Now a young man with a bright future ahead of him, Césariot has completed his education and contemplates how he should begin his adult life.  After Panisse's death, Fanny feels obliged to make known to her son that his real father is Marius, a man she has not seen since he parted from her in such unhappy circumstances twenty years ago.  Césariot is surprised to learn that he is the son of a man who is spoken of as a scoundrel and renegade.  To form his own impression of Marius, he travels to Toulon and passes himself of as a journalist with an assumed name.  The Marius that Césariot gets to know is nothing like the selfish cad he had been expecting.  In fact, he soon develops a fondness for the man and cannot understand why he felt he had to leave his mother all those years ago.  With Panisse's passing, Marius feels the time has finally come for him to return to Marseille and try to heal the rift with his father César and former lover Fanny.  It is only when the old enmities and misunderstandings have been laid to rest that Césariot will discover the tragic circumstances that led his mother and father to part before he was born...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Marcel Pagnol
  • Script: Marcel Pagnol
  • Cinematographer: Willy Faktorovitch, Grischa, Roger Ledru
  • Music: Vincent Scotto
  • Cast: Raimu (César Ollivier), Pierre Fresnay (Marius Ollivier), Fernand Charpin (Honoré Panisse), Orane Demazis (Fanny), Paul Dullac (Félix Escartefigue), Robert Vattier (Aldebert Brun), Marcel Maupi (Innocent Mangiapan), Édouard Delmont (Le docteur Felicien Venelle), Milly Mathis (Tante Claudine Foulon), Thommeray (Elzéar Bonnegrâce), Jean Castan (L'enfant de choeur), Robert Bassac (Pierre Dromard), Alida Rouffe (Honorine Cabanis), Rellys (L'employé de Panisse), Charblay (Henri), Albert Spanna (Le facteur), Odette Roger (La servante de l'hôtel), Doumel (Fernand), André Fouché (Césariot)
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 168 min

The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright