Camille (1936)
Directed by George Cukor

Drama / Romance

Film Review

Abstract picture representing Camille (1936)
One of the highest ranking and best loved romantic dramas in cinema history, Camille demonstrates the dizzy artistic heights that Hollywood production teams can rise to when everything goes right.  Under George Cukor's masterful direction, the legendary Greta Garbo delivers what many regard as her finest performance, a heart-rending and immensely subtle portrayal of a complex Parisian courtesan who lives for pleasure and dies for love.

Garbo's tour de force performance is beautifully complemented by a talented supporting cast, which includes a young and handsome Robert Taylor, Henry Daniell in his most substantial film role and Laura Hope Crews as the ageing strumpet whose cheap vulgarity accentuates the refinement and emotional warmth of Garbo's character.

With its supremely elegant composition, glamorous design and exquisite performances, this film is by far the best screen adaptation of the celebrated novel and play La Dame aux camélias by Alexandre Dumas, fils.  It is this literary work which forms the basis for Verdi's famous opera La Traviata, music from which makes it into the film's intensely evocative score.  Camille is one of those perfectly crafted pieces of cinema which can genuinely be described as timeless.
© James Travers 2008
The above content is owned by filmsdefrance.com and must not be copied.
Next George Cukor film:
Holiday (1938)

Film Synopsis

Despite her humble origins, Marguerite Gautier becomes one of the belles of high society Paris, thanks to the extraordinary power she has over men who are more than willing to pay for her favours.  In the mid-1800s, she leads a lavish and dissolute life, at the expense of her wealthy patron, the Baron de Varville.  Marguerite repays the baron's generosity by falling mad in love with Armand Duval, a younger man who has no fortune of his own.  For a while, Marguerite and her young lover share the perfect romance, the former willing to turn her back on the baron and her life of luxury just to be with the man she now truly loves.  But, fearing for his son's future reputation, Armand's father implores Marguerite to give him up.  Knowing that her past conduct may well bring ruin to Armand, Marguerite finds she has no choice but to reject the only man she has lost her heart to.  Unable to bear the pain of separation, Armand continues pursuing Marguerite as she succumbs to a life-threatening attack of tuberculosis...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: George Cukor
  • Script: Alexandre Dumas fils (play), Zoe Akins, Frances Marion, James Hilton
  • Cinematographer: William H. Daniels, Karl Freund
  • Music: Herbert Stothart
  • Cast: Greta Garbo (Marguerite Gautier), Robert Taylor (Armand Duval), Lionel Barrymore (Monsieur Duval), Elizabeth Allan (Nichette, the Bride), Jessie Ralph (Nanine), Henry Daniell (Baron de Varville), Lenore Ulric (Olympe), Laura Hope Crews (Prudence Duvernoy), Rex O'Malley (Gaston), Mariska Aldrich (Friend of Camille), Marion Ballou (Corinne), May Beatty (Second Doorman), Daisy Belmore (Saleswoman), Wilson Benge (Attendant), John Bryan (Alfred de Musset), Georgia Caine (Streetwalker), Lita Chevret (Woman in Theater Box), E.E. Clive (Saint Gaudens), Mabel Colcord (Madame Barjon), Chappell Dossett (Priest)
  • Country: USA
  • Language: English
  • Support: Black and White
  • Runtime: 109 min

The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright