Film Review
The plot looks like something an unimaginative five year old might have
dreamed up. The direction is at best amateurish, the performances
borderline mediocre. But who cares about any of this when singing
legends Charles Trenet, Édith Piaf, Mouloudji and Juliette
Gréco are on hand to distract us from this Grade A fiasco with
some of their best numbers?
Top billing goes to Jacques Pills, a likeable singer who,
despite around a dozen film appearances, failed to make
it as an actor (his most memorable film is Jean Boyer's
Prends la route (1936),
in which he starred with his singing partner Georges Tabet).
By force of personality, Pills just about holds this film
together, with a little help from an eye-catching Danielle Godet
and constantly amusing Armand Bernard.
Of the 'big beasts' who show up for our entertainment,
Édith Piaf is the only one who gets to play an active part in
the plot, sharing an unusual duet with Pills and narrowly avoiding
being blasted to kingdom come by a deadly bottle of perfume. Gary
Cooper and Gregory Peck are cheekily slotted in (possibly without their
knowledge), along with Charles Boyer and Martine Carole, making this
one of the most star-studded films ever to be put before a French
cinema audience. It's all as crazy at it sounds and the formula -
a series of musical numbers linked by the flimsiest of narratives - is
one that was oft repeated in the 1950s. Other examples of this
ilk include
Paris chante toujours! (1951)
and
La Route du bonheur (1953).
Without Piaf, Trenet and co.,
Boum sur Paris would
have been an absolutely a terrible film - their scintillating presence
just about makes up for the complete absence of a plot and makes this a
fair tribute to the golden age of the French music hall.
© James Travers 2014
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
Gilbert Sestrières works in a laboratory that simultaneously
manufactures a leading brand of perfume, named Boum, whilst developing
a new and incredibly powerful form of explosive. A sample of the
latter ends up in a bottle of the former and, through a series of
mishaps, is soon being delivered to a music hall where it is offered as
a prize, along with a genuine bottle of Boum. Assisted by his
girlfriend Hélène and private detective Calchas, Gilbert
spends the next few days zigzagging his way across Paris in a desperate
attempt to recover the explosive before someone opens the bottle and
blows up half of the city...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.