Frankenstein Unbound (1990)
Directed by Roger Corman

Drama / Horror / Sci-Fi

Film Review

Abstract picture representing Frankenstein Unbound (1990)
Too mad to be taken seriously?  Roger Corman's return to directing after a twenty year intermission at first feels like a private joke but ten minutes into this juvenile mishmash of cheap horror, sci-fi and tacky erotica it suddenly becomes apparent that someone expected to make money out of it.  If you're a teenager of modest intellectual ability and a stomach for this kind of puerile nausea-inducing schlock Frankenstein Unbound is probably just about bearable; for most other cinemagoers it's only slightly less aggravating than having your toes filed down to the bone with coarse grained sandpaper. If you should happen to find yourself stuck in a cinema with this unedifying atrocity projected onto a screen in front of you, the chance is you'll be hurtling towards door marked 'Exit' within five minutes. And to think it was directed by the man who previously brought us Pit and the Pendulum (1961)...

So just why is this film so awful?  It can't be the fact that it was made  on a shoestring budget, since Corman is renowned for making an art of turning out respectable films on a low budget.  The film does look cheap, but that's not the issue.  Neither is it the concept which, supremely dotty as it may be, is at least original and moderately amusing.  No, what kills this film is a combination of bad screenwriting, bad acting and some excruciatingly self-conscious direction on the part of Corman himself.

Perhaps we can excuse the acting because the script is so awful.  Even John Hurt, an actor who is usually beyond reproach, has difficulty saying his dialogue with anything like conviction.  A child of ten could hardly have done a worse job on the script.  If it weren't for the film's horror content and sexual allusions (which earned it an 18 certification in the UK), you'd swear this was intended for the children's afternoon telly slot.  Frankenstein Unbound is the abyss of low budget horror.
© James Travers 2009
The above content is owned by filmsdefrance.com and must not be copied.
Next Roger Corman film:
House of Usher (1960)

Film Synopsis

Dr Joseph Buchanan is developing a weapon which he hopes will put an end to war.  Unfortunately, a test run with his atomic disintegration beam has some unexpected side effects, such as the creation of time rifts all over the planet.  Buchanan falls through one of these rifts and finds himself in Switzerland in 1817.  Here, at a village inn, he makes the acquaintance of a scientist named Dr Frankenstein.  The latter reveals that his younger brother has recently been murdered and that his nanny is to be hung as a witch.  Buchanan realises that the real killer is a monster created by Frankenstein and makes an attempt to save the girl charged with the murder.   At the trial, Buchanan meets a young woman named Mary Godwin, who is writing a novel based on Frankenstein...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Roger Corman
  • Script: Brian Aldiss (novel), Roger Corman, F.X. Feeney
  • Cinematographer: Armando Nannuzzi, Michael Scott
  • Music: Carl Davis
  • Cast: John Hurt (Dr. Joe Buchanan), Raul Julia (Dr. Victor Frankenstein), Nick Brimble (The Monster), Bridget Fonda (Mary Wollstonecraft Godwin), Catherine Rabett (Elizabeth Levenza), Jason Patric (Lord George Gordon Byron), Michael Hutchence (Percy Byshee Shelley), Catherine Corman (Justine Moritz), William Geiger (Lab Technician), Mickey Knox (General Reade), Myriam Cyr (Information Officer), Terri Treas (Buchanan's car), Cynthia Allison (Newswoman), Isabella Rocchietta (Dorrie), Matt Cassidy (Boy 1), Hauck Bjorck (Boy 2), Olga Angelo (Girl 2), Geoffrey Copleston (Secheron Innkeeper), John Karlsen (Parson), Donald Hodson (Old Man)
  • Country: USA
  • Language: English
  • Support: Color
  • Runtime: 82 min

The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright