Film Review
Although he did make a few notable films in other genres -
Allons z'enfants (1981),
R.A.S. (1973),
Un taxi mauve (1977) -
Yves Boisset devoted the bulk of his filmmaking career to the fairly
conventional French thriller, the genre where he was most successful.
His better thrillers include
Folle à tuer (1975) and
Le Juge Fayard dit Le Shériff (1977),
and it was only when he veered nearer to the American model that he began to lose
favour with the critics and audiences.
Bleu comme l'enfer is Boisset's most American thriller, an all-too-obvious
attempt to try to freshen up a genre that was rapidly going out
of fashion in the mid-1980s. Out goes the sophistication of the French
policier, and in comes a deluge of sadism, violence, sex and pointless
chasing around in cars. The film looks pretty anaemic today,
one of the director's weaker films,
although it is at least partly redeemed by the quality of the acting.
Even though their characters are blatant stereotypes, the film's three lead actors -
Lambert Wilson, Tchéky Karyo and Myriem Roussel - put in some commendable performances
which help to sustain our interest in the pretty formulaic narrative.
Karyo is terrific as the film's psychopathic
villain whilst Wilson makes a sympathetic and enigmatic hero.
In classic French film noir fashion, the moral positions between Wilson
and Karyo's characters are soon reversed, but with an ingenious twist at the end.
© James Travers 2004
The above content is owned by filmsdefrance.com and must not be copied.
Next Yves Boisset film:
Radio Corbeau (1989)
Film Synopsis
Ned is a smalltime crook whose attempt to rob a motorway snack bar is frustrated
by Franck, a ruthless cop. Never one to play by the rules if he can
help it, Franck takes Ned back to his home at gunpoint, with the intention
of inflicting on him some suitable form of chastisement. On his arrival,
the sadistic cop is confronted with the news that his wife Lily intends to
leave him. Having failed to reason with his wife, Franck resorts to
physical violence. Lily's sister Carole comes to her rescue and
the two women flee with Ned, having rendered the now berserk Franck unconscious.
Parting with Carole, Lily and Ned resume their desperate flight towards the
border, knowing they will be safe once they get across it. When Franck
comes to he is not in a forgiving mood. Without a moment's thought,
he goes after the fugitives, salivating at the prospect of the justice he
will deliver when he catches up with them. There is nothing more dangerous
than a cop with a grudge...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.