Anthony Zimmer (2005)
Directed by Jérôme Salle

Romance / Mystery / Thriller

Film Review

Abstract picture representing Anthony Zimmer (2005)
Director Jérôme Salle makes an impressive debut with this stylish modern thriller, which does it damnedest to breathe new life into a genre that in recent years has started to look a little stale. With the exception of Olivier Marchal's 36 Quai des Orfèvres (2004) and Cédric Khan's Roberto Succo (2001), the French thriller has been a little dreary of late. Anthony Zimmer is not immune from cliché and its Hitchcockian allusions are far from subtle but it is an impressively crafted piece that strikes a fair balance between full-on action and character-based drama.

Admittedly, it is a challenge to take seriously a plot that is so riddled with implausible developments and most of the secondary characters are lacking in depth. Fortunately, the glossy production values and slick mise-en-scène prevent us from dwelling on these shortcomings, and strong central performances from the charismatic leads Yvan Attal and Sophie Marceau give the film at least the illusion of a prestige thriller. Salle followed this up with another action thriller in the same mould, Largo Winch (2008) - a film that proved to be a huge hit and gave rise to a sequel, The Burma Conspiracy (2011), which Salle also directed. In 2010, Anthony Zimmer was honoured with an American remake entitled The Tourist, with Johnny Depp and Angelina Jolie taking the lead roles.
© James Travers 2007
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

One of the world's most notorious criminals, Anthony Zimmer is doggedly pursued by the police and Russian mafia but he has a knack of evading capture.  The only man who stands any chance of capturing him is Akerman, a determined detective who has sworn to bring him to book.  He knows that one day Zimmer will return to his former lover Chiara Manzoni - and when that day comes he will be ready.  On a high-speed train bound for the French Riviera, Chiara meets François Taillandier, a translator in his late thirties who is about to take a holiday after breaking up with his girlfriend.  The two hit it off straight away and agree to spend their holiday together.  To show her gratitude, Chaira presents François with a watch engraved with the name of her erstwhile partner, Anthony Zimmer.  When he becomes the target of two trigger-happy hitmen, François realises that Chaira may not be what she pretends...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Jérôme Salle
  • Script: Jérôme Salle
  • Cinematographer: Denis Rouden
  • Music: Frédéric Talgorn
  • Cast: Sophie Marceau (Chiara Manzoni), Yvan Attal (François Taillandier), Sami Frey (Akerman), Gilles Lellouche (Müller), Daniel Olbrychski (Nassaiev), Samir Guesmi (Driss), Dimitri Rataud (Perez), Nicky Marbot (Douanier 1), Olivier Chenevat (Douanier 2), Alban Casterman (Jeune Douanier), Christophe Odent (Président Commission), Luc Chavy (Membre Commission), Richard Delestre (Room Manager Carlton), Yann de Monterno (Serveur Carlton), Laurent Klug (Homme Discret), José Fumanal (Réceptionniste Negresco), Thierry Humbert (Garçon de café Nice), Marc Diabira (Contrôleur Bus), Alain Figlarz (Douanier Taxi), Yves Penay (Réceptionniste Hotel)
  • Country: France
  • Language: French / Russian / English
  • Support: Color
  • Runtime: 90 min

The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright