This lowbrow family comedy gets off to a promising start but within a matter of minutes
its failings become all too apparent.The plot is instantly
predictable and rapidly degenerates into a rather silly routine comedy, with the film's
three stars - Clavier, Dombasle and Serrault - dropping lazily into their stereotypical
character grooves.Like many of Hervé Palud's
earlier films - for example, the risible Un indien dans la ville (1994) - the comic
situations are so idiotic and contrived, the characterisation so hackneyed and shallow,
that the whole ghastly thing is viscerally painful to watch.
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Film Synopsis
On hearing of the death of his father, the famous writer Jo Lechat, Patrick
assumes that he will automatically inherit his vast fortune. Imagine
his surprise then when he learns that the sole beneficiary of his father's
estate is his half-brother Albert Moulinot, an eccentric old man who lives
alone on a little island in the very heart of Dordogne. Patrick is
desperate to lay his hands on some money so he pays a visit to Albert in
the hope of trying to get him to part with a portion of his lucky windfall.
It turns out that the old man has absolutely no interest in the money and
is more than willing to hand it all over to Patrick, providing they make
the journey to Paris together so that they can deal with all the legal formalities.
It sounds too good to be true, but for Patrick the nightmare is only just
beginning...
Cast:Christian Clavier (Patrick Lechat),
Michel Serrault (Albert Moulinot),
Arielle Dombasle (Barbara Lechat),
Priscilla Betti (Chelsea),
Bernard Farcy (Lechevalier),
Jackie Berroyer (Maître Kermarec),
Ged Marlon (Directeur hôtel),
Hans Meyer (James Lord Cooke),
Patrick Mille (Eddy),
Véronique Boulanger (Dany Cooke),
Marina Tomé (Marie-Ange, la pharmacienne),
Marie-Christine Demarest (Mme Dupasquier - la dame aux petits chiens),
Pierre Coville (Patron bistrot),
François Borysse (Le trompettiste),
Roger Trapp (Un client),
Delphin Lacroix (Le nono),
Vincent Moscato (Vigile 1),
Vincent Haquin (Vigile 2),
Luc Palun (Le chef de la brasserie),
Jeremy Manesse (Serveur brasserie)
Country: France
Language: French / English
Support: Color
Runtime: 85 min
The silent era of French cinema
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.