Film Review
The cinema of Jean-Pierre Mocky is definitely an acquired taste,
consisting mostly of acidly pungent satires mocking just about every
aspect of life in France, in a way that makes a ritual slaughter of
good taste and political correctness. You either love Mocky or
you hate him but some of his films are hard to dislike even if you have
an aversion to Mocky's oeuvre in general.
Agent trouble is one such film, a
brazen pastiche of the Hitchcockian suspense thriller that carries just
a faint odour of Mocky's trademark subversiveness. It's a film
that Alfred Hitchcock himself may well have directed in his later, more
cynical years, as well as being one of the more entertaining examples
of what is now termed the
néo-polar,
or French political thriller.
Agent
trouble was adapted from the novel
The Man Who Loved Zoos by the
well-known American writer Malcolm Bosse.
Coming straight after Mocky's caustic Lourdes-themed satire
Le
Miraculé (1987), one of the director's most
commercially successful films,
Agent
trouble likewise had little difficulty attracting a mainstream
audience, as well as generally positive reviews from the critics.
The film's success at the box office owes probably less to Mocky and
more to the dizzying ensemble of talent he managed to bring together,
including Catherine Deneuve at her dowdiest, complete with overlarge
spectacles and a hideous perm wig. Denuded of her habitual
glamour, Deneuve is still a force to be reckoned with and she fits far
more easily into Mocky's idiosyncratic world than you might
expect. The wig and glasses actually suit her, conferring on her
not just the vulnerability which the story demands but also a fierce
femme libre tenacity. It may
well have started a fashion trend among the less self-aware feminists.
Matching Deneuve's steely determination is Richard Bohringer's even
steelier hitman. Like Deneuve's go-getter heroine, Bohringer's
character is a tongue-in-cheek caricature of a thriller stereotype, the
joke being that whilst he is a hardened and resourceful killer, his
health is such that he could shuffle off this mortal coil at any
moment. The main element of suspense is not whether Bohringer
will kill Deneuve, but whether Bohringer will last to the end of the
film. Kristin Scott Thomas appears briefly in one of her earliest
screen roles, and sticks around long enough to convince us that French
cinema is in dire need of her services (which, at the time, was
probably true).
Popular singer turned actor Tom Novembre is convincing as the kind of
troublesome activist you know will be snuffed out before the story has
barely got underway, and Mocky has no end of fun playing an agent of
the shady French security services, the DST. Pierre Arditi is
saddled with the least convincing character in the story and looks as
if he was cast mainly to attract the flak for the film's ludicrous
ending. The film is better served by Héléna Manson
(best known for playing the sinister nurse Marie Corbin in Clouzot's
1943 classic
Le Corbeau) and Dominique
Lavanant, who received a Best Supporting Actress César for her
ever so over-the-top portrayal of a nymphomaniac sightseer.
William Lubtchansky's stunning location photography contributes a
haunting allure to the film, the icy wintry landscapes containing a
palpable sense of menace within their meretricious beauty.
Gabriel Yared's lush score also adds to the film's eerie feel, helping
to make this one of Jean-Pierre Mocky's most memorable and chilling
films. Mocky's penchant for excess surfaces in a few scenes but
for the most part the director is remarkably restrained, with the
result that
Agent trouble is
probably his most satisfying film, as well as one of his darkest.
© James Travers 2015
The above content is owned by filmsdefrance.com and must not be copied.
Next Jean-Pierre Mocky film:
Le Miraculé (1987)
Film Synopsis
One winter's morning a coach laden with tourists careers off the
road and plunges into an icy lake in the Pyrenees. Fifty are
killed. But this is not a straightforward road accident; it is an
execution authorised by someone high up in the interest of national
security. The only witness to the mass killing is Victorien, who
saw that the passengers were gassed before they drowned.
Realising that he has stumbled onto something big, Victorien sets out
to find those responsible, but ends up getting himself killed.
His aunt, Amanda Weber, carries on the investigation, determined to
avenge the death of her nephew...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.