À gauche en sortant de l'ascenseur (1988)
Directed by Edouard Molinaro

Comedy

Film Review

Abstract picture representing A gauche en sortant de l'ascenseur (1988)
Comedy genius Pierre Richard is on fine form in this convoluted but thoroughly entertaining bedroom farce, directed by Edouard Molinaro. À gauche en sortant de l'ascenseur doesn't quite have the broad appeal of Molinaro's previous comedies (Oscar (1967), L'Emmerdeur (1973)), but it has stood the test of time better than his monument to political incorrectness, La Cage aux folles (1978).

The film is a boisterous adaptation of a successful stage play entitled L'Amuse-gueule by Gérard Lauzier which ran for one year in Paris, in 1986, and starred Daniel Auteuil.  Although the narrative does get somewhat repetitive and overly complicated in a few places, the exuberant performances from Richard and his magnificent co-stars - Richard Bohringer, Emmanuelle Béart and Fanny Cottençon - just keep the comedy rolling.  The star of the film is the door to Pierre Richard's apartment, which supplies most of the laughs and even gets an on-screen credit (it's not the first time an inanimate piece of wood masquerading as an actor has had that honour).

This was one of the last great Pierre Richard comedies. His popularity now on the wane, the actor would have to content himself with supporting roles in the bulk of his subsequent films, something which gave him the opportunity to expand his repertoire substantially and allow him to take on a far more interesting range of roles.
© James Travers 2006
The above content is owned by frenchfilms.org and must not be copied.
Next Edouard Molinaro film:
Le Souper (1992)

Film Synopsis

Yan, a successful artist, is waiting for his date, Florence, to turn up at his apartment.  His doorbell rings and on his doorstep he finds another young woman, his neighbour Eva, dressed in her underwear.  She tells him she has just locked herself out of her apartment and insists that he helps her.  Whilst trying to enter Eva's apartment via their adjoining balcony, the phone rings.  It is Florence, and she is not impressed when a half-naked young woman answers the phone.  At this point, Eva's rabidly jealous boyfriend Boris returns home and, seeing Yan in his apartment, deduces that Eva has been having an affair behind his back.  Florence then turns up and Yan tries in vain to explain the situation.  By chance, Florence's husband suddenly puts in an appearance.  After that, it all starts to get a bit complicated...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Edouard Molinaro
  • Script: Gérard Lauzier (play)
  • Cinematographer: Robert Fraisse
  • Music: Murray Head
  • Cast: Pierre Richard (Yann Ducoudray), Richard Bohringer (Boris), Emmanuelle Béart (Éva), Fanny Cottençon (Florence Arnaud), Pierre Vernier (André Arnaud), Jean-Michel Dupuis (Jean-Yves), Martine Maximin (Marilda), Albert Simono (L'automobiliste), Aïna Walle (Natacha), Eric Blanc (Un agent de police), Michel Creton (Le brigadier), Mireille Audibert (La femme de la galerie)
  • Country: France
  • Language: French
  • Support: Color (Eastmancolor)
  • Runtime: 83 min

French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright