35 rhums (2008)
Directed by Claire Denis

Drama
aka: 35 Shots of Rum

Film Review

Abstract picture representing 35 rhums (2008)
There is a raw, almost primal, beauty and depth of feeling to Claire Denis's films that renders them virtually unique in Western cinema today.  Such is the hypnotic power of her films, the lyrical simplicity that belies their emotional impact in a way that is redolent of the cinema of the Far East (represented by Yasujiro Ozu, Hou Hsiao-sien, etc.), that you cannot help wondering why this kind of cinema is so hard to come by in the West.   35 rhums is Denis's finest achievement to date, a beguiling and subtly moving portrait of a father slowly coming to terms with the fact that he is going to have to learn to live without the two things he cherishes most in his life, his job as a train driver and the daughter with whom he has enjoyed an intensely close relationship.  What makes the film so effective is that the drama comes from deep within the protagonists, their feelings slowly exposed by the way in which they regard the world around them and how they relate to one another, not with words, but with silent gestures and looks that convey so much about the emotions struggling to break through the placid surface calm.  This is a film that deals with the most banal of subjects in the most unsensational manner possible, and yet it is captivating, so eloquent in the way the inner lives of the characters are revealed to us, the traumas and tragedies which mere words are powerless to express.

In common with many of Claire Denis's films, 35 rhums has an autobiographical aspect to it.  One of the enduring memories that Denis had of her childhood was the intense relationship that existed between her grandfather and her mother.  It is their story which provides the essence for this film, the story of a solitary middle-aged man who has arrived at the point in his life when he must allow his daughter to leave him and start her own life.  For the part of the character who is based on her grandfather, Denis cast Alex Descas, one of France's most gifted black actors who had already featured in several of her films, including S'en fout la mort (1990), J'ai pas sommeil (1994) and Trouble Every Day (2001).  In a performance that it is unbelievably true to life, Descas makes us aware of his character's traumatic inner quandary almost without any external sign of what he is feeling.  Like Denis, he is an artist who does not daub compassion on the surface but instead compels us to look deeper, to go beyond the merely superficial, to wade into the deep rivers of emotion that lie underneath and to actually feel what his character feels.

The other characters are almost as faultlessly cast.  Making her screen debut in the role of Descas's daughter is Mati Diop, the niece of the distinguished Senegalese filmmaker Djibril Diop Mambéty.  Diop not only has a striking screen presence, she is also the perfect complement to Descas, showing her character's emotional conflict in a similarly introspective vein.  Nicole Dogue and Grégoire Colin, another frequent Denis collaborator, complete the handsome quartet and bring further depth and meaning with their equally restrained, yet equally expressive performances.  It is with the support of this talented cast and, as ever, the great artistry of her cinematographer Agnès Godard, that Claire Denis delivers her most alluring and humane film to date.  35 rhums offers a sweetly melancholic slice of life that immediately grabs our attention with its sublime cinematic beauty and then holds us spellbound with the exquisite poignancy of the story it has to tell, a story of quiet despair told with genuine warmth and feeling.  This is cinema at its most truthful and most engaging - just why are we not clamouring for more films of this kind?
© James Travers 2011
The above content is owned by filmsdefrance.com and must not be copied.
Next Claire Denis film:
White Material (2010)

Film Synopsis

Lionel has had a hard life.  A black immigrant who lost his wife many years ago, he has struggled to bring up his daughter, Joséphine, alone on the modest pay he earns as a train driver.  They have lived a peaceful but withdrawn life together - Lionel thinks only of his daughter, and she thinks only of him.  But as Lionel approaches the age of retirement, he realises that not only will he soon be without a job, he is also about to lose his daughter.  Once Joséphine has completed her studies, she will want to start her own life with another man, perhaps Noé, the young man who owns the flat above theirs.  How will Lionel cope when he has given up the two things that give his life meaning?
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Claire Denis
  • Script: Claire Denis, Jean-Pol Fargeau
  • Cinematographer: Agnès Godard
  • Music: Tindersticks
  • Cast: Alex Descas (Lionel), Mati Diop (Joséphine), Nicole Dogue (Gabrielle), Grégoire Colin (Noé), Julieth Mars Toussaint (René), Adèle Ado (La patronne du bar), Jean-Christophe Folly (Ruben), Ingrid Caven (La tante allemande), Mario Canonge (Le collègue), Stéphane Pocrain (Le prof), Mary Pie (Lina), Eriq Ebouaney (Blanchard), Djédjé Apali (Martial), David Saada (Le cow-boy), Cheikh Toure (Le jeune serveur), Malaïka Marie-Jeanne, Jean-Luc Joseph, Giscard Bouchotte, Virgile Elana, Luvinski Atche
  • Country: France / Germany
  • Language: French / German
  • Support: Color
  • Runtime: 90 min
  • Aka: 35 Shots of Rum ; 35 Shots

The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright