17 fois Cécile Cassard (2002)
Directed by Christophe Honoré

Drama
aka: Seventeen Times Cecile Cassard

Film Review

Abstract picture representing 17 fois Cecile Cassard (2002)
Christophe Honoré had distinguished himself as a writer in France - of children's books, adult fiction and screenplays - before directing this, his first full-length film.  In a dark exploration of the mystery of human emotions, this atmospheric film shows a grief-stricken woman descending into despair and then struggling to break free and start again.  The film is staged and photographed with something close to the artistic genius of Cocteau, haunting and evocative, the aching sense of loss palpable in virtually every shot of its 17 memorable sequences.

In what is arguably her most demanding role since Beineix's flawed masterpiece 37°2 le matin, Béatrice Dalle gives a convincing and intensely poignant portrayal of a woman driven to the edge of sanity by a cruel bereavement.  She carries the film well and with well-judged subtlety, the emotion she conveys coming deep from within her, something which adds greatly to the film's depth and eerie dreamlike character.

The film also affords Romain Duris an opportunity to show his talent for playing complex, multi-faceted characters: in one scene he conveys grim torment with a harrowing intensity; in the next, he radiates warmth and vitality (his impersonation of Anouk Aimée is just so funny, so blisteringly ironic).  The power of this masterfully composed visual elegy lies as much in the contributions from its cast as in its director's daring and remarkably effective narrative technique.
© James Travers 2005
The above content is owned by filmsdefrance.com and must not be copied.
Next Christophe Honoré film:
Ma mère (2004)

Film Synopsis

Traumatised by the tragic death of her husband, Cécile Cassard asks her friend Edith to take care of her infant son whilst she tries to piece her life back together.  Following a suicide attempt, she finds herself in the seedier area of Toulouse.  As she wanders the streets without purpose she encounters young men who are attracted towards her, but she is incapable of starting a relationship with anyone.  Finally, she meets Matthieu, a young gay man who appears to offer her the promise of a new life…
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Christophe Honoré
  • Script: Christophe Honoré
  • Cinematographer: Rémy Chevrin
  • Music: Alex Beaupain
  • Cast: Béatrice Dalle (Cécile Cassard), Romain Duris (Matthieu), Jeanne Balibar (Edith), Ange Ruzé (Erwan), Johan Oderio-Robles (Lucas), Tiago Manaïa (Tiago), Jérôme Kircher (Thierry), Julien Collet (Stéphane), Jérémy Sanguinetti (Julien), Marie Bunel (L'institutrice), Fabio Zenoni (L'homme du porche), Robert Cantarella (L'homme du cimetière), Assaad Bouab (Le serveur), Lisa Lacroix (Natacha), Marie Laudes Emond (La boulangère), Pierre Mignard (Léo)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 105 min
  • Aka: Seventeen Times Cecile Cassard

The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright