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Overview
Le Comte de Monte-Cristo is a French romantic film drama first released in 1955,
directed by Robert Vernay.
The film is based on a novel by Alexandre Dumas père and stars Jean Marais, Lia Amanda, Daniel Ivernel, Folco Lulli and Louis Seigner.
It has also been released under the title: The Count of Monte Cristo.
Our overall rating for this film is: good.
Synopsis
In 1814, the merchant ship Le Pharaon
returns to the port of Marseilles under the command of the young
lieutenant Edmond Dantès. The latter is delighted to be
reunited with his fiancée, Mercédès, but is
unaware that a plot against him is being hatched by his rival, Fernand
Mondego. Knowing that Le
Pharaon stopped off at the Island of Elba, where the former
Emperor Napoleon is being held captive, Mondego sees an opportunity to
denounce Dantès as a traitor. To cover his own father’s
involvement in a Bonapartist plot against King Louis XVIII, the crown
prosecutor Villefort has Dantès arrested and sent to the castle
island of If, a prison from which no man has ever escaped...
Film Review
Perhaps the most lavish screen adaptation of Alexandre Dumas’
celebrated novel Le Comte de
Monte-Cristo is this three hour long epic directed by Robert
Vernay and starring the iconic French screen actor Jean Marais.
Vernay had already adapted Dumas’ novel in 1943, with Pierre
Richard-Willm (then a prominent star in French cinema) in the lead
role. With its atmospheric lighting and more clearly
delineated characters, the 1943 version is
easily superior to its 1955 remake, although the latter clearly looks
as if more money was spent on it.Here Jean Marais heads a generally lacklustre cast and gives a lacklustre performance to match. Vernay’s direction lacks the inspired touch that he showed on his previous Monte-Cristo and, in some places, appears downright complacent. This time round, Vernay and his screenwriters are more faithful to Dumas’ novel, although their attempts to explore the central theme of the novel - the morality of delayed revenge - are only partially successful. The film’s long run time makes it an ordeal to sit through, in spite of its slick production values and gripping storyline. Both of Vernay’s adaptations of Dumas’ novel are respectable pieces of cinema in their own right, but both pale into insignificance when compared with Henri Fescourt’s stunning 1929 version. © James Travers 2010 Write a review for this film... User Comments
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Related links
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Credits
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