La Marseillaise
1938 History Drama   
 
Credits
  • Director: Jean Renoir
  • Script: Jean Renoir, Carl Koch, N. Martel-Dreyfus
  • Photo: Jean-Paul Alphen, Jean Bourgoin, Alain Douarinou, Jean Louis, Jean-Marie Maillols
  • Music: Joseph Kosma, Johann Sebastian Bach, Michel Richard Delalande, André-Ernest-Modeste Grétry, Wolfgang Amadeus Mozart, Jean-Philippe Rameau, Claude Joseph Rouget de Lisle, Sauveplane
  • Cast: Pierre Renoir (Louis XVI), Lise Delamare (Marie Antoinette), Léon Larive (Picard), William Aguet (La Rochefoucauld), Aimé Clariond (M. de Saint-Laurent), André Zibral (M. de Saint Merri), Louis Jouvet (Roederer), Edmond Ardisson (Jean-Joseph Bomier), Paul Dulac (Javel), Jean-Louis Allibert (Moissan), Jenny Hélia (L'interpellatrice), Gaston Modot (Un volontaire), Julien Carette (Un volontaire)
  • Country: France
  • Language: French
  • Runtime: 135 min; B&W
  • Aka: The Marseillaise
 
 
 
Summary
This film traces the early years of the French Revolution, from the storming of the Bastille in 1789 to the campaign to drive off the Prussian army in 1781.  We see the effect of the Revolution on both ordinary people and on the royal court.  The removal of the monarchy has a sad inevitability as a nation comes together and unites under the French tricoleur to the sound of that great anthem, La Merseillaise.

Review
The only one of Renoir's films that can truly be described as epic, La Marseillaise succeeds as both an accurate historical account of an important part of French history and as a reflection of the mood of the time.  The late 1930s was a dark and uncertain time in the history of France, and this film, although strangely optimistic, seems to capture that feeling quite noticeably.

The origins of the Revolution and the rationale for the foundation of the French Nation are explored in detail.  The absurdity and irrelevance of the royal court is placed side by side with the penury of the life of a French peasant.  Whilst Marie-Antoinette and her courtiers are dancing the latest gavotte, a man can be hung for shooting a pigeon. 

Renoir carefully avoids reference to the brutality of the Revolution and focuses on the necessity of a country united.  It is a message that would have been well received by the cinema-going public at a time when Europe was on the brink of its worst conflict.

© James Travers 2001


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