L'Alibi
1937 Crime / Thriller / Drama   
Director: Pierre Chenal
Starring: Louis Jouvet, Erich von Stroheim, Albert Préjean, Jany Holt, Margo Lion


 
Summary
Whilst performing his famous mind-reading act at a Parisian nightclub, Professor Winckler recognises his most hated enemy in the audience.  After the show, he pursues the man, an American gangster named Gordon, and shoots him dead.  He then bribes Hélène, a young woman who works in the nightclub, to give him an alibi for the killing.   Certain of Winckler’s guilt, Commissioner Calas contrives a scheme to destroy his alibi.  Suspicion is thrown on a young man André Laurent who has succeeded in winning Hélène’s affection.   How will Hélène react when she realises Laurent is in fact Calas’s colleague?

Credits
  • Director: Pierre Chenal
  • Script: Marcel Achard, Jacques Companéez, Herbert Juttke, Pierre Chenal
  • Photo: Theodore J. Pahle
  • Music: Georges Auric, Jacques Dallin
  • Cast: Louis Jouvet (Le commissaire Calas), Erich von Stroheim (Le professeur Winckler), Albert Préjean (André Laurent), Jany Holt (Hélène Ardouin), Margo Lion (Dany), Florence Marly (La maitresse de Gordon), Roger Blin (Kretz, l’homme de main de Winckler), Jean Témerson (Jojo, l’ami de Dany), Maurice Baquet (Gérard), Philippe Richard (John Gordon), Foun-Sen (L’assistante de Winckler)
  • Country: France
  • Language: French
  • Runtime: 84 min; B&W



More French Crime/Thriller




More French Drama

 

Review
L’Alibi is one of two very popular film noir thrillers made by the French film director Pierre Chenal in the 1930s.  The other, Le Dernier tournant (1939), was the first film adaptation of the novel The Postman Always Rings Twice.  From a stylistic point of view, both films are rather good examples of early film noir.  Deep focus, high contrast black-and-white photography, confined shadowy sets – all the familiar noir techniques are used to create a sense of mystery, menace and mayhem.

Where L’Alibi falls down is its weak script.  The characters are simplistic caricatures, and the plot lacks originality and depth.  The silly happy ending tagged on at the end of the film jars painfully with the sombre mood which preceded it.  On the plus side, there is a great cast which includes some of the most celebrated screen actors of the 1930s – Louis Jouvet, Erich von Stroheim, Albert Préjean and Jany Holt.   Jouvet is particularly memorable as a tenacious cop who seems prepared to sacrifice any principles to get his man – the kind of dark, morally ambiguous role which the actor plays so well.

© James Travers 2007



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