Films francais
     
 
Fortunat
1960 Comedy / Drama / War
 
Credits
  • Director: Alex Joffé
  • Script: Michel Breitman, Alex Joffé
  • Photo: Pierre Petit
  • Music: Denis Kieffer
  • Cast: Bourvil (Noël Fortunat), Michèle Morgan (Juliette Valcourt), Teddy Bilis (Sam Falk), Rosy Varte (Rosette Falk), Patrick Millow (Pierrot Valcourt), Frédéric Mitterrand (Maurice Valcourt), Albertine Sarov (Myriam Falk), Jean-Marie Amato (Monsieur Tonio), Denise Carvenne (Mme Dubroc), Gaby Morlay (Emilienne Massillon)
  • Country: France
  • Language: French
  • Runtime: 121 min; B&W
 
 
 
Summary
When her husband, an agent of the French Resistance, is captured by the German police, a middle class woman, Juliet, is forced to flee from the Nazi occupied part of France with her two young sons.  She is escorted by a poacher, Noël Fortunat, who poses as her husband.   When they arrive safely in Toulouse, Noël, Juliet and her children set up home together, and make friends with a Jewish family living next door.  Despite their different social positions, Juliet and Noël form a close bond of friendship which is strengthened by their shared experiences of poverty and intimidation by the German police.  But how long will their brittle happiness last?

Review
Fortunat is an engaging tragicomic melodrama which paints a realistic and moving picture of life for ordinary folk living in France during the Occupation.  The film stars two of France’s acting legends, Michèle Morgan and Bourvil, both of whom are on fine form, with Bourvil in particular giving one of his most sympathetic and captivating screen performances.

The cinematography (which alternates between the intensely sombre and the radiantly sunny) manages to evoke the period in which the film is set.  It also captures the feelings of the film’s central characters very effectively and adds a sense of realism to the drama.  As a result, the film is far less cosy and complacent than the more conventional studio-bound productions of the period, which in part explains why it still feels so fresh today.

The film combines comedy and drama to great effect – with comic moments often immediately followed by a sudden tragic development.  Whilst this sometimes feels contrived and overly melodramatic (certainly for a more sophisticated audience), there are several instances where it achieves a shocking impact on the spectator.  The film’s poignant ending – although almost entirely predictable – is particularly moving.  The tragic conclusion is that divisions between social classes can only be levelled under situations of extreme peril and hardship; whereas war brings people together, peace keeps them apart.  At the very least, Fortunat makes a keen observation of human nature.

© James Travers 2001


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