| Un
chapeau de paille d'Italie
René Clair (1927) |
Le
Million
René Clair (1931) |
| René
Clair skilful transposition of Labiche’s play from the 1850s to the 1890s
makes for one of the greatest comic farces of the silent era. A sublime
piece of visual comedy.
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An
extravaganza of burlesque comedy and the forerunner of the Hollywood film
musical, Le Million was a triumph for the era it was made in and
remains an enduring popular classic of French cinema.
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| À
nous la liberté
René Clair (1931) |
Drôle
de drame
Marcel Carné (1936) |
| Technology
enslaves man but ultimately it will free him, a Utopian vision which underpins
this outrageous comic farce. Arguably René Clair's best film,
and an inspiration for Chaplin.
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The
most bizarre work from the fruitful Carné-Prévert partnership
is this extraordinary black comedy, where the entire cast appears to have
been made up from inmates of a lunatic asylum.
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| Jour
de fête
Jacques Tati (1948) |
L’Auberge
rouge
Claude Autant-Lara (1951) |
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Jacques
Tati's first full-length film is this hilarious portrayal of provincial
life. The wealth of visual jokes establish Tati as a genius of comedy,
on the same level as Chaplin and Keaton.
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Fernandel
gives one of his best performances in this witty black comedy. For
some reason, the Catholic Church was not amused by this portrayal of priests
as self-serving hypocrites.
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| Les
Vacances de Monsieur Hulot
Jacques Tati (1953) |
Les
Tontons flingueurs
Georges Lautner (1963) |
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Brilliant,
sheer brilliant. There is not much else you can say about this sublime
comic masterpiece – other than to add that Tati's performance as M. Hulot
is the stuff of legend.
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The
best of Georges Lautner's comic parodies of the French crime thriller unites
Lino Ventura and Bernard Blier as you have never seen them before, with
tongue firmly in cheek.
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| Le
Corniaud
Gérard Oury (1965) |
La
Grande vadrouille
Gérard Oury (1966) |
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Director
Gérard Oury struck the jackpot when he got Louis
de Funès and Bourvil to appear in this lavish comic farce.
Replete with visual jokes, this has become a classic of French cinema.
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Comic
giants Bourvil and Louis de Funès join forces with Terry-Thomas
in this extravagant WWII comedy. With 17 million spectators, it remains
the most popular film made in France.
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| Fantômas
contre Scotland Yard
André Hunebelle (1966) |
Baisers
volés
François Truffaut (1968) |
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The
best of the three 1960s Fantômas films sees Louis de Funès
pitted against Jean Marais for the last time. In his dual role, as Fandor
and the green-skinned Fantômas, Marais became a cult icon.
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For
the third installment of his semi- autobiographical Antoine Doinel cycle,
François Truffaut offers us this delightful portrait of young love.
A tender, witty, ironic and utterly charming film.
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| La
Folie des grandeurs
Gérard Oury (1971) |
Les
Aventures de Rabbi Jacob
Gérard Oury (1973) |
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Yves
Montand makes life Hell for Louis de Funès in this spectacular historical
comedy. The jokes are good but they don't quite match up to the film's
stunning production values.
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If
you are going to poke fun at Jewish culture, do it well. Avoid all
clichés, and do not get Louis de Funès to send up orthodox
Jews. This film breaks all the rules but still manages to be hugely
funny and inoffensive.
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| Le
Charme discret de la bourgeoisie
Luis Buñuel (1972) |
La
Cage aux folles
Edouard Molinaro (1978) |
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The
most celebrated and outlandish of Buñuel's
no holds barred assaults on the French middle-classes is a masterpiece
of surrealist comedy.
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Based
on a hit stage play, this was one of the funniest French films of the 1970s.
With outrageously camp performances, it became a cult film in both France
and the US.
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| Le
Gendarme et les extra-terrestres
Jean Girault (1979) |
Buffet
froid
Bertrand Blier (1979) |
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France's
response to Spielberg's Close Encounters of the Third Kind?
One film had state of the art special effects and a colossal budget, the
other had Louis de Funès. Now, which is the funnier film?
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This
bizarre black comedy is one of the most popular films from Bertrand Blier,
a true maverick of French cinema. Some great acting makes this a
compelling surreal masterpiece.
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| La
Chèvre
Francis Veber (1981) |
Le
Père Noël est une ordure
Jean-Marie Poiré (1982) |
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Pierre
Richard and Gérard Depardieu make a stunning comic duo in this delicious
laugh-a-minute comic gem. Richard plays the unluckiest man in the
world in a familiar Veber farce.
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This
aggressive satire of the so-called "caring society" features great comedy
from the Equipe du Splendid. Gérard Jugnot plays a
hacked off Father Christmas and Christian Clavier a man-hungry transvestite.
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| Les
Ripoux
Claude Zidi (1984) |
Trois
hommes et un couffin
Coline Serreau (1985) |
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Philippe
Noiret and Thierry Lhermitte play two crooked law enforcers in this outrageous
satire on police corruption. Stylish and witty, this cult classic
is one of Claude Zidi's best films.
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The
original "3 Men and a Baby" was this hilarious satire on fatherhood and
modern living. It proved to be a staggering box office success in
France.
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| Delicatessen
Jean-Pierre Jeunet et Marc Caro (1992) |
Les
Visiteurs
Jean-Marie Poiré (1993) |
| One
of the icons of French cinema in the 1990s, Delicatessen paints
a disturbing vision of the future, where people resort to canabalism and
the world is policed by frogmen. Brilliantly imaginative.
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This
hilarious farce featuring a time-travelling knight and his vassal proved
to be a huge box office success in France. Jean Reno and Christian
Clavier make this a comic tour de force.
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| Sitcom
François Ozon (1998) |
Le
Dîner de cons
Francis Veber (1998) |
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All
is not quite what it seems in cosy middle class suburbia. Behind
the chintz curtains there are murderous dreams and dark fantasies.
And all because of a sinister white rat...
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The
film version of Francis Veber's long-running stage play proved to be a
major box office success in France. The scintillating dialogue and
sparkling performances are to be savoured.
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| Conte
d'automne
Eric Rohmer (1998) |
Le
Goût des autres
Agnès Jaoui (2000) |
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The
final film in Rohmer's "Four Seasons" cycle is both a melancholic and uplifting
work, in which a middle-aged woman is subjected to the match-making tendencies
of her well-meaning friends.
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Jean-Pierre
Bacri attempts to breach the cultural divide in this sophisticated comic
farce. With great scripting and acting, this was one of the film
highlights of the year 2000.
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| Harry,
un ami qui vous veut du bien
Dominik Moll (2000) |
Le
Fabuleux destin d'Amélie Poulain
Jean-Pierre Jeunet (2001) |
| This
superlative black comedy consists of an extraordinary sequence of comic
situations. Sergi López is both enchanting and disturbing as the
friend who just can't help doing a good turn.
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This
fairytale Parisian romance was a worldwide success, thanks to its surreal
comic touches, distinctive photography and, most of all, Audrey Tautou.
A magical film.
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| Astérix
& Obélix: Mission Cléopâtre
Alain Chabat (2002) |
8
femmes
François Ozon (2002) |
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Asterix
and Obelix make a triumphant return to French cinema, only to be outstaged
by popular television comedian Jamel Debbouze. 15 million spectators
turned out for this high budget romp, so it can't be all bad.
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Eight
classy women are lodged together in an isolated mansion. One of them
is a killer, but can any of them avoid breaking into song? This hugely
entertaining comedy thriller is so seductive that you just have to watch
it again...
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