West of Zanzibar (1928)
Directed by Tod Browning

Drama / Thriller

Film Review

Abstract picture representing West of Zanzibar (1928)
The last but one of the ten collaborations of director Tod Browning and actor Lon Chaney is one of their best and, whilst not strictly a horror film, it is the film in which Chaney gives arguably his most chilling performance.  The film was adapted from the successful stage play Kongo, which was performed on Broadway in 1926.  Walter Huston played the lead role in that play and in the subsequent 1932 sound film version, directed by William J. Cowen.

Today, most people know Tod Browning through his 1931 horror classic Dracula, but that film pales in comparison with his earlier silent films, which are amongst the finest that Hollywood made in the 1920s.  West of Zanzibar is a particularly striking film, with its atmospheric sets (which offer an authentic recreation of the torrid African setting), brisk pace, and mounting tension achieved through its brooding chiaroscuro cinematography and sharp editing.

In one of his last roles before he succumbed to cancer, Lon Chaney plays a truly memorable villain, the crippled magician Phroso.  The intensity and realism that Chaney brings to his performance makes the film relentlessly dark, almost sadistic - up until the moment when his character realises his fatal mistake.  At this point, Chaney's portrayal changes in an instant, from that of a monster to that of a man wrought by guilt and sorrow.  There aren't many actors who can take you through so many contrasting emotions, making you shiver with fear one minute, making you weep in sympathy the next. Lon Chaney was one of this rare breed, richly deserving his epithet The Man of a Thousand Faces.
© James Travers 2009
The above content is owned by filmsdefrance.com and must not be copied.
Next Tod Browning film:
Dracula (1931)

Film Synopsis

Anna cannot bear to tell her devoted husband, the magician Phroso, of her intention to leave him for another man, Crane.  It is the latter who breaks the news and, in the ensuing brawl, Phroso falls from a great height and breaks both his legs.  A year later, the crippled Phroso learns that Anna has returned to his town, with what he assumes to be Crane's child.  When Anna dies, Phroso vows vengeance on the man who has ruined both of their lives.  Eighteen years later, Phroso has traced Crane, now an ivory hunter, to an African settlement near Zanzibar.  Using his skill as a magician, Phroso gains the confidence of the natives, who revere him as their leader.  By stealing Crane's ivory crop, Phroso lures his former rival into his carefully laid trap.  The natives have a quaint custom: when a man dies, his daughter must also perish...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Tod Browning
  • Script: Elliott J. Clawson, Joseph Farnham, Chester De Vonde (play), Kilbourn Gordon (play), Waldemar Young
  • Cinematographer: Percy Hilburn
  • Music: William Axt
  • Cast: Lon Chaney (Phroso), Lionel Barrymore (Crane), Mary Nolan (Maizie), Warner Baxter (Doc), Jacqueline Gadsden (Anna), Tiny Ward (Tiny), Kalla Pasha (Babe), Curtis Nero (Bumbu), Chaz Chase (Music Hall Performer), Rose Dione (Zanzibar Club owner), Louise Emmons (Old Woman on Street), Fred Gamble (Vaudeville Comedian), Emmett King (Stage Manager), Edna Tichenor (Dancing Girl in Zanzibar Club), Art Winkler (Stagehand), Dan Wolheim (Zanzibar Club Customer), Zalla Zarana (Woman in Zanzibar Bar), Mae Busch, Richard Cummings, Noble Johnson
  • Country: USA
  • Language: English
  • Support: Black and White
  • Runtime: 65 min

The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright