Film Review
In April 1961, shortly after filming his big budget version of Alexandre
Dumas's
Le Comte de Monte Cristo,
leading French filmmaker Claude Autant-Lara released a lavish
Franco-Italian historical comedy titled
Vive Henri IV... vive l'amour (also
known as
Si Henri IV m'était
conté...). This Eastmancolor film belongs to
Autant-Lara's weak period between
Les Régates de San Francisco
(1960) and
Le Franciscain de Bourges
(1968). Rumor has it that the director was compelled to take any
work that came his way so that he could make
Tu ne tueras point (1963), the
only film of the time dealing with conscientious objection.
In its ample two hour runtime, the film concerns itself mainly with the
amorous designs of the lecherous King Henri IV, principally his desire
for the buxom Mademoiselle de Montmorency, who is young enough to be
his granddaughter. To cut to the chase,
Vive Henri IV... vive l'amour is
far from being Autant-Lara's best work and, lacking the dark humour and
ferocious anti-establishment swipes of his previous great films, it is
a pretty anodyne beast. What we get is a bog standard period comedy,
which is a little too faithful to historical fact for its own good, the
pretext for a series of bawdy and rather chatty tableaux. Even if
Henri Jeanson's dialogue does throw up an amusing retort now and again,
the script quality is not what it might be for a director of
Autant-Lara's pedigree. On the plus side, René Cloerec's
score adds to the mood of the piece beautifully and the production
values are (predictably) excellent.
The film is at least partly redeemed by its remarkable international
cast, although few of the talented actors get to appear in more than a
few scenes. Francis Claude puts in a lively performance as the
king with the Béarn accent, with the stunning Danièle
Gaubert well-chosen to portray the object of his lustful desire.
The colourful ensemble includes such familiar names as Jean Sorel,
Bernard Blier, Pierre Brasseur, Danielle Darrieux and Nicole Courcel,
all entering into the spirit of things with their customary elan.
Thanks to the miracle of dubbing, the Greek actress Melina Mercouri is
permitted to play Queen Marie de Medicis, whilst the ubiquitous Italian
actor Vittorio de Sica shows up as the Spanish ambassador (as only he
can). Francis Blanche, Julien Carette, Lise Delamare, Robert
Dalban and Jean Tissier complete a cast of exceptional calibre.
Vive Henri IV... vive l'amour may
not be classic Autant-Lara but it is a fairly enjoyable romp and drew a
respectable audience of 0.96 million in France on its first
release.
© Willems Henri (Brussels, Belgium) 2013
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Next Claude Autant-Lara film:
Le Magot de Josefa (1963)
Film Synopsis
In his 56th year, King Henri IV, Count of Navarre, is having problems
with his wife, Marie de Medicis. Marie has many reasons to be
jealous of the king's two mistresses, Jacqueline de Bueil and Henriette
d'Entrague, particularly as the latter has borne him children.
One day, Henri makes a big decision. He will put a definitive end
to his amorous liaisons and instead live a more quiet life. Alas,
the king's resolutions never last long. At a dance organised by
the queen, Henri cannot help noticing the ravishing Charlotte de
Montmorency. Although Charlotte is officially engaged to a man
named Bassompierre, the king is determined to take her as his mistress
and contrives a plan. He will invite Bassompierre to marry
another lady, which he surely cannot refuse to do if he is to remain
faithful to the king. He will then marry Charlotte to the Prince
de Condé, a young man who prefers horses to women. Henri
is sure that Condé will have no objection to him making
overtures to his wife. Even a king can make mistakes...
© James Travers
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