Film Review
The last five years or so have seen an unexpected resurgence in the
popularity of the
policier,
the French thriller genre which was enormously successful from the
mid-1950s to the mid-1980s.
Un
printemps à Paris offers yet another re-interpretation of
the genre, from director Jacques Bral (his fifth film in over thirty
years). The film stars Eddy Mitchell, a hugely popular French
rock 'n' roll singer who has made a respectable name for himself as a
film actor since the early 1980s.
Thematically, the film is easily recognisable as an old-fashioned kind
of thriller. Bral has no qualms about paying obvious homage to
his predecessors, such masters of the genre as Jean-Pierre Melville and
Jacques Deray. The modernity he brings is pretty much restricted
to the cinematography and editing (which consists mainly, and irritatingly, of
excessive camera movement and
jarringly fast film cuts), with a few dollops of gratuitous eroticism
thrown in for no apparent reason.
The film has a certain appeal (thanks to its high nostalgia factor) but
it ultimately feels bland and insubstantial, and at times its pace is
slow to the point of snail-crawling lethargy. Bral's focus on
style is at the expense of content - the narrative lacks coherence, the
characters are implausible and shallow (even if the performances are
generally pretty good). However, the main reason why
Un printemps à Paris
disappoints is that it looks too much like a lazy pastiche of a
late-1970s thriller, dressed up shamelessly for a modern cinema
audience.
© James Travers 2008
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
Georges leaves prison, after a five-year long stretch, with the
intention of making a fresh start. No such hope. His former
partner in crime, Pierrot, appears on his doorstep and persuades him to
take part in another criminal exploit - to steal a vast jewel
collection from a wealthy Parisian woman. The robbery goes
like clockwork, but neither man is prepared for what
follows. Pierrot falls in love with the woman they robbed
and their scheme to get their hands on the money for the stolen jewels
quickly goes awry...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.