Un monde à nous (2008)
Directed by Frédéric Balekdjian

Drama / Thriller

Film Review

Abstract picture representing Un monde a nous (2008)
For his second full-length film, French director Frédéric Balekdjian follows his bleak crime drama Les Mauvais joueurs (2005) with this equally sombre portrayal of an intense father-son relationship.  With most of the drama presented from the perspective of the central child protagonist, Un monde à nous feels like a film noir flavoured fairy tale, in which the boundary between reality and fantasy is merged to such an extent that we can never be certain whether the father's paranoid anxieties have any basis in reality.  This is a genuinely disturbing film, and one which will change forever your reaction to The Supremes' hit single "Baby Love"...

Balekdjian, bravely, cast his own son, Anton, in the role of the child lead, playing opposite Edouard Baer, who has become a leading light of French cinema in recent years.  Both actors are a revelation in this film.  Anton Balekdjian had appeared in just one film prior to this - Djamel Bensalah's spoof western Big City (2007) - but already looks as though he might be a future star.  There is a brooding intensity and brutality to his and Baer's performances which make their characters totally convincing participants in a bizarre game of survival, in an austere world that threatens to destroy their relationship.

Un monde à nous is striking in its originality, compelling with its subtle dark poetry, but it is by no means faultless.  Some of the direction appears heavy handed and prone to cliché in a few scenes, whilst the camerawork occasionally looks as if the technicians were trying a little too hard to achieve a raw cinéma vérité look.  However, thanks largely to the arresting contributions of its principal actors, Un monde à nous is film that has much to commend it.  The first person perspective allows it to exert a strange hold on the spectator, drawing us into a dark world in which a father and his son are bound to one another by an disquieting mix of fear and love.
© James Travers 2009
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

Marc and his young son Noé arrive in a new town, hoping to begin a new life.  Noé starts a new school, where he makes new friends, but his father continues to put him through intensive training in combat sports.  Since the death of Noé's mother, father and son have been on the run - but from what...?
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Frédéric Balekdjian
  • Script: Frédéric Balekdjian (dialogue), Fabien Vehlmann (dialogue)
  • Cinematographer: Stephan Massis
  • Music: Erwann Kermorvant
  • Cast: Edouard Baer (Marc), Anton Balekdjian (Noé), Nassereba Keita (Marine), Philippe Lefebvre (Éric), Mariame Gaye (Sonia), Julien Frison (Lucas), Morgan Pierrard (Nils), Xavier Maly (Vasquez), Véronique Gallet (La jeune prof), Alain Chabat (Le professeur d'anglais), Jean-François Stévenin (Le collègue d'Éric), Simon Abkarian (L'oncle de Noé), David Achtchian (Le voisin de Niels), Pierre-Louis Bellet (Bande de Niels), Gérard Bôle du Chaumont (Le rodeur chauve), Dominique Charpan (Mère 1), Coppélia De Crozant (La voisine de Marine), Eric Debrosse (Le policier en faction), Riad Deck (Bande de Lucas), Nathalie Engelstein (La prof en retard)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 91 min

The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright