Tumultes (1990) Directed by Bertrand Van Effenterre
Drama
Film Review
One of the more impressive of the handful of films that Bertrand Van Effenterre made for the cinema
before he 'defected' to television in the early 1990s is this intense
drama offering a harrowingly true-to-life account of loss and bereavement
in a Breton family.
Bruno Cremer is well-suited to take the lead role in this sombre drama. The
following year, the actor would assume his most famous role as the legendary detective Jules Maigret
in a long-running television series for French television, two episodes of which
would be directed by Van Effenterre.
Tumultes is a modest film that tells a simple story but it is charged with
pent-up emotion and is intensely involving. Its main failing is that
it does at times tend to resemble a made-for-television movie. Van Effenterre's
direction improves on the fairly mundane script, helped by some strong performances from a talented cast.
The film's main asset is Yves Angelo's heart-achingly beautiful photography of the Brittany setting,
which brings a raw bleakness and poetry to the drama.
Van Effenterre's other films are somewhat less impressive, although there is
some fun to be had in his quirky crime comedy
Tout pour l'oseille (2004)
starring Sylvie Testud, Bruno Putzulu and Laurent Lucas.
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
Three sisters are reunited with their parents at their home on the Brittany coast.
Their brother Patrick has died tragically and they must somehow come to terms with the
loss. Anne, the eldest of the three girls, fights to hold back her own emotions
as she comforts her younger sisters. Isabelle, the most rebellious of the sisters,
hasn't been near the family home for eight years, and is filled with resentment after
what life has done to her. The youngest sister, Claude, is the twin of the dead
adolescent, and so her loss is greatest. Whilst the sisters share their grief, their
father withdraws into silent meditation, leaving their mother to slip further into ill
health and insanity. Then the circumstances of Patrick's death are revealed...
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.