Trois couples en quête d'orages (2005)
Directed by Jacques Otmezguine

Comedy / Drama

Film Review

Abstract picture representing Trois couples en quete d'orages (2005)
Whilst it goes massively out of its way to convince us otherwise, Trois couples en quête d'orage is essentially a pretty mundane film about a group of dull, uninteresting individuals facing up to the vagaries of middle age. The film is based on a novel of the same title by the journalist Lionel Duroy published in 2000, but seasoned director Jacques Otmezguine tries to make it cleverer than it needs to be. Flashbacks are used excessively in a determined but ultimately pointless attempt to make the story more interesting - all this achieves is to rob the film of dramatic focus and render it vague and incoherent, with the characters failing to acquire any tangible qualities.

It's a classic example of style over substance, in which the director immerses himself in self-conscious artistry instead of working to make a film which engages the spectator's interest and emotions. If Otmezguine's stylist excesses don't put you off, the hideously intrusive background music certainly will. On a more positive note, the cast are excellent - particularly Aurélien Recoing (L'Emploi du temps (2001)), Samuel Labarthe and Claire Nebout - although not all are particularly well-served by the script.  There are some poignant moments along the way (for example, Olivier facing up to his physical disability), but overall the narrative just feels too disjointed and wishy-washy to have much of an impact.
© James Travers 2007
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

With the onset of middle-age, Olivier and his closest friends, Rémi and Pascale, all find that they are fast approaching a crossroads in their lives.  Olivier used to be a doctor, but now he is confined to a wheelchair and sees only a life of grim monotony ahead of him - until he meets Stéphanie, a much young woman who suddenly reawakens his zest for living.  Rémi's marriage to Estelle now appears threatened by the couple's inability to have children.  Meanwhile, Pascale, a filmmaker, no longer has any sympathy for her somewhat pathetic husband, a failed diplomat, and leaves him for a seductive politician who seems to be going places.  It is a strange coincidence, but Olivier, Rémi and Pascale are all simultaneously about to embark on a new chapter in their lives...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Jacques Otmezguine
  • Script: Jacques Otmezguine, Lionel Duroy (novel)
  • Cinematographer: Mário Barroso
  • Music: Stéphane Zidi
  • Cast: Aurélien Recoing (Rémi), Samuel Labarthe (Olivier), Claire Nebout (Estelle), Philippine Leroy-Beaulieu (Pascale), Hippolyte Girardot (Jean-Xavier), Laurence Côte (Marianne), Clotilde de Bayser (Claire), Delphine Rollin (Stéphanie), Steve Suissa (Cances), Erwan Demaure (Un potache), Michel Guillerm (Concierge hôtel), Olivia Guilmard (Infirmière 1), Catherine Lefroid (Infirmière 2), Romain Legrand (Elève), Michel Marny (Maître d'hôtel), Benjamin Porraz (Théo), Jean-Luc Porraz (L'assistant social), Katia Tchenko (Hélène, la secrétaire), Clément van den Bergh (Julien), Frankie Wallach (Gwenaëlle)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 102 min

The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright