The first film adaptation of Marcel Pagnol's highly successful stage
play Topaze looks pretty
feeble compared with Pagnol's subsequent 1936 and 1951 adaptations but
it still manages to be an entertaining piece of satire, thanks mainly
to Louis Jouvet's amusing interpretation of the title role.
Director Louis Gasnier fails to disguise the theatrical origins of the
play and at times the film appears unbearably stagy and airless.
A stunning Edwige Feuillère brings more than a touch of glamour
as the modern day Eve who gets Topaze to eat the forbidden fruits of
capitalism but Pierre Larquey gives the most convincing performance,
reprising the role of Tamise that he had taken in the original 1928
stage production of the play. Pagnol was so disappointed by this
film that he immediately set about making his own screen version, Topaze
(1936), and did a far better job of it than Gasnier.
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Film Synopsis
Albert Topaze is an idealistic schoolteacher who believes that it is
better to be honest than rich. His high ideals bring him into
conflict with his headmaster, who dismisses him on the spot when he
learns that he has shown an interest in his daughter. Unemployed,
Topaze willingly accepts an offer of work from a municipal councillor,
unaware that he is being used to front some dubious business deals...
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.