Tokyo Joe is the second of
Humphrey Bogart's independent productions after the actor had cut his
moorings with Warner Brothers, the company that made him a star.
It is a ramshackle mixed bag of a film, a somewhat clumsy attempt to
combine elements of Casablanca and the traditional
American film noir crime drama. Although the film is quite well
directed and well photographed, the heavy plot contrivances soon become
wearying and the two-dimensional characterisation does little to
sustain the spectator's interest. Bogart puts in a respectable
performance, playing the kind of character that he made his own
- a man who is outwardly tough but inwardly very
vulnerable, a man who would risk anything in an attempt to
recapture the smallest fragment of his happier past. Unfortunately, without
matching contributions from his lacklustre co-stars, Bogart's efforts are pretty much wasted.
The only other character of interest is the gangster boss Kimura, played with the appropriate
note of sinister menace by Sessue Hayakawa, who would later feature in
David Lean's The Bridge on the River Kwai
(1957).
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Film Synopsis
War veteran Joe Barrett returns to Japan after WWII hoping to pick up
the pieces of his shattered life. To his surprise, his gambling
joint is still intact, being run by his old friend and business
partner. Joe can hardly believe his good fortune when he learns
that his wife Trina is still alive and hastens to find her, only to
learn that she has since re-married and has a seven year old
daughter. Joe swears that he will win Trina back, but the
occupying American army is reluctant to let him stay. Tired of
filling in forms for a permit that will extend his stay, Joe decides to
start up a legitimate business, a freight operation financed by Baron
Kimura, the former head of the Japanese secret service. What Joe
does not know is that Kimura has some incriminating knowledge about
Trina's wartime past and intends to use the freight business to
covertly transport war criminals...
Script: Steve Fisher (story),
Walter Doniger,
Cyril Hume,
Bertram Millhauser
Cinematographer: Charles Lawton Jr.
Music: George Antheil
Cast:Humphrey Bogart (Joseph 'Joe' Barrett),
Alexander Knox (Mark Landis),
Florence Marly (Trina Pechinkov Landis),
Sessue Hayakawa (Baron Kimura),
Jerome Courtland (Danny),
Gordon Jones (Idaho),
Teru Shimada (Ito),
Hideo Mori (Kanda),
Charles Meredith (Gen. Ireton),
Rhys Williams (Col. Dahlgren),
Lora Lee Michel (Anya, Trina's daughter),
Hugh Beaumont (Provost Marshal Major),
Whit Bissell (Capt. Winnow),
Tommy Bond (Fingerprint Sergeant),
James Cardwell (Military Police Captain),
Scott Edwards (Officer),
Frank Fujino (Man),
Julia Fukuzaki (Maid),
Gene Gondo (Kamikaze),
Harold Goodwin (Maj. J.F.X. Loomis)
Country: USA
Language: English / Japanese
Support: Black and White
Runtime: 88 min
The very best of the French New Wave
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
With so many great films to choose from, it's nigh on impossible to compile a short-list of the best 15 French films of all time - but here's our feeble attempt to do just that.