Tir à vue (1984)
Directed by Marc Angelo

Drama

Film Synopsis

Richard has good reason to rail against society.  It wasn't that long ago that his brother was killed and the police refused to do anything about it.  Since, he has nurtured an ever-growing hatred for the world around him and he finally decides that the time has come for him to hit back, as hard as he can.  Raiding a gun shop, he acquires an adequate arsenal of weaponry and throws himself into his one-man crime spree.  On the way, he meets a wild and attractive young woman named Marilyn who is just as much an outsider as he is.  They team up and are soon terrorising the region with armed hold-ups and break-ins.  In Inspector Casti they have a formidable adversary.  Unable to put his daughter's accidental death behind him, he goes after the armed hoodlums and pursues them with an almost machine-like tenacity, determined to bring them to justice...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Marc Angelo
  • Script: Yves Mourot (dialogue)
  • Cinematographer: Charles Van Damme
  • Music: Gabriel Yared
  • Cast: Sandrine Bonnaire (Marilyn), Laurent Malet (Richard), Jean Carmet (L'inspecteur Robert Casti), Michel Jonasz (L'inspecteur Daniel Galo), Michel Stano (L'inspecteur Vidal), Pierre Londiche (Le substitut), Eric Picou (Le gandin), Salah Teskouk (Salem), Frédéric Berthereau (Le gosse), Jean-Claude Bouillaud (Blanchard), Jacques Burloux (Le pompiste), Marie-Françoise Freulat (L'employée des 'Bains-Douches'), Sonia Laroze (Madeleine Vasti), Max Morel (L'amoureux des armes), Yves Mourot (Le garçon de café), Jean-Marie Balembois, Claudia Coste, Helena Henriksson, Anne-Marie Jabraud, David Kodsi
  • Country: France
  • Language: -
  • Support: Color
  • Runtime: 90 min

The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright