The World Is Not Enough (1999)
Directed by Michael Apted

Action / Adventure / Thriller
aka: Twine

Film Review

Abstract picture representing The World Is Not Enough (1999)
By adhering unflinchingly to a tried and tested formula, the nineteenth James Bond movie is a real treat for fans of the series and contains more than enough action stunts to entertain a mainstream cinema audience.   Whilst he lacks the charisma of his predecessors, Pierce Brosnan is comfortable in the role of Great Britain's most famous fictional spy and his blend of macho resilience and sardonic wit serves the film well.  The World Is Not Enough is a bog-standard Bond movie, fast moving, with an overly complicated plot, offering few surprises, but, for all that, has great entertainment value.  Despite mixed reviews, the film was another box office hit, grossing two and half times its 150 million dollar budget.

In contrast to previous Bond films, the characterisation is startlingly weak, and most of the main cast prove to be a disappointment.  The biggest flaw in the film is the lack of a strong central villain and a clear objective.  Just who is the enemy in this film and what are they trying to achieve?  Without a clear threat, the film feels fragmented and ultimately aimless, relying almost entirely on its adrenalin-pumping stunts to keep things moving and maintain the audience's attention.  This may, ironically, be an accurate reflection of the world in which secret agents now serve, fighting invisible, dispersed terrorist cells, but this film demonstrates that such a scenario does not really fit the Bond formula that well.

Robert Carlyle's character is good as far as it goes, but his sadistic nastiness is too rapidly emasculated by his compassion for his girlfriend, whilst the true villain of the piece is just too weak to carry the thing off convincingly.  For Bond to be effective, he needs a strong villain, and this is one thing this film fails to deliver.

Equally, the Bond girls are clearly not what they were.  True, in the Connery days they may have been just scantly clad bimbos, overly exploited for their decorative value, but the latest breed of Bond girls are being pushed too hard to justify themselves.  Are we really expected to take seriously a mini-skirt wearing Denise Richards playing a nuclear physicist named Christmas?  As for Elekra King... suffice it to say that there is nothing remotely credible about this character, despite a spirited effort from Sophie Marceau to make the character believable.

Fortunately, a brace of talented British actors, including Robbie Coltrane, Judi Dench and, would you believe it, John Cleese (improbably playing Q's replacement) just about fill in the gaps left by these traditional Bond characters.  Dench is perhaps the film's most original element, taking the character of M, and possibly the Bond series, in a healthier new direction, at last breaking with the stuffy 1960s stereotypes.

© James Travers 2000
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

A mission goes horribly wrong when MI6 agent James Bond is unwittingly used in an assassination plot to kill the British oil tycoon Sir Robert King.  The agent resolves to protect King's daughter, Elekra, but uncovers an ambitious terrorist plot masterminded by former KGB operative Renard to disrupt the West's oil supply.
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Michael Apted
  • Script: Neal Purvis (story), Robert Wade (story), Bruce Feirstein, Ian Fleming (characters)
  • Cinematographer: Adrian Biddle
  • Music: David Arnold
  • Cast: Pierce Brosnan (James Bond), Sophie Marceau (Elektra King), Robert Carlyle (Renard), Denise Richards (Dr. Christmas Jones), Robbie Coltrane (Valentin Zukovsky), Judi Dench (M), Desmond Llewelyn (Q), John Cleese (R), Maria Grazia Cucinotta (Cigar Girl), Samantha Bond (Miss Moneypenny), Michael Kitchen (Bill Tanner), Colin Salmon (Charles Robinson), Goldie (Bullion), David Calder (Sir Robert King), Serena Scott Thomas (Dr. Molly Warmflash), Ulrich Thomsen (Davidov), John Seru (Gabor), Claude-Oliver Rudolph (Colonel Akakievich), Patrick Malahide (Lachaise), Omid Djalili (Foreman)
  • Country: UK / USA
  • Language: English / Russian
  • Support: Color
  • Runtime: 128 min
  • Aka: Twine

The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright