Film Review
One of the daftest horror anthologies ever to come out of a British
film studio,
The Uncanny
feels uncomfortably like an Ealing-style parody of Hitchcock's
The
Birds, with malicious moggies taking the place of
psychopathic ravens and seagulls. The Grand Guignol horror may
have titillated the less sophisticated film-goers when the film was
first released in the late 1970s, but today it looks so camp and unreal
that it isn't so much scary as downright funny.
A magnificently tongue-in-cheek Donald Pleasence salvages the film in
the third (and best) segment, which rightly goes for black comedy
rather than the usual cheap horror thrills. Cat-lovers are
unlikely to appreciate the humour (the kitten baptism gag is a
classic), but hardened ailurophobes will enjoy having all their vile
anti-cat prejudices reinforced.
If you can overlook the dreadful puns and some truly risible special
effects,
The Uncanny is
passable entertainment, mainly on account of its unintentional
silliness and enjoyably cod-Gothic bravura performances, although it is
clearly not in the league of the horror anthologies that had previously
been made by Amicus and Hammer. Every cat has his day,
and this one just about deserves to be let out of the bag.
© James Travers 2009
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
For years, Wilbur Gray has been gathering evidence to support his
theory that domestic cats are not only more intelligent than their owners, but
that they have been controlling and exploiting man since the year
dot. One evening, he visits publisher Frank Richards to
persuade him to publish his findings in a book. Richards is
sceptical, so Gray tries to convince him by relating three of the cases
he has unearthed. In London 1912, Miss Malkin makes a will in
which she leaves her entire estate to her large family of cats.
Her nephew is outraged when he hears of this and asks his lover, Janet,
who is Miss Malkin's housemaid, to find and destroy the
will. Whilst she is attempting to steal the will, Janet
murders Miss Malkin, and the cats exact a terrifying revenge. In
Quebec 1975, 10-year-old Lucy moves in with her aunt after her parents
are killed in an aeroplane crash. Reluctantly, her aunt allows
her to keep her cat, which upsets her cousin Angela, who begins to
bully her. The spiteful Angela manages to persuade her parents
that the cat is a nuisance and must be destroyed. The cat escapes
and helps Lucy in cutting Angela down to size. In Hollywood
1936, B-movie star Valentine De'ath murders his wife by staging an
accident on the set of one of his horror films. His wife's cat is
none to pleased when De'ath takes up with an aspiring young actress and
sets out to administer a typically feline form of poetic justice...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.