In the second of her six films for Disney, Hayley Mills is on double
duty, playing two identical twins, and getting away with it thanks to
the miracle of split screen photography. The Parent Trap is a slightly
overlong but enjoyable romp that originated as a novel (Lottie and Lisa) by Erich
Kästner. Brian Keith and Maureen O'Hara both appear to
be having the time of their lives as the estranged husband and wife who
succumb to Mills' Machiavellian matchmaking machinations, but it is the
two-timing Mills who gives most entertainment value, even getting to
sing a duet with herself in one memorable scene. So successful
was the film that it spawned a series of sequels in the 1980s, with
Hayley Mills bravely reprising the lead roles. Lindsay Lohan
starred in the 1998 remake directed by Nancy Meyers, a schmaltz-fest
that has neither the charm nor slightly anarchic good humour of the original.
Unlike most of Disney's live action films, this one
functions adequately as both an adult rom-com and children's entertainment.
Silly but fun.
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Film Synopsis
During a stay at a summer camp, Susan Evers is surprised when she meets a
girl, Sharon McKendrick, who is physically identical to her. As the
two girls get to know one another they soon arrive at the conclusion they
are twin sisters who have been brought up separately after the break-up of
their parents' marriage. Whilst Susan lives on a ranch in California
with her millionaire father, Mitch, Sharon inhabits a posh house in Boston
with her socialite mother Maggie. Both girls are keen to meet the parent
they have never known and so agree to swap identities. After changing
their hairstyles and adopting each other's mannerisms no one could fail to
be taken in by the deception. Their plan is to find a way to bring
their parents back together again so that they can all live together.
Sharon has barely arrived at her sister's home before she makes the shocking
discovery that her father intends marrying a younger woman, a gold-digger
named Vicky Robinson. The girls must act fast if they are to prevent the
marriage and reunite their parents. They get their opportunity when
Vicky is lured into taking a camping excursion with Mitch...
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.