The Merchant of Four Seasons (1972)
Directed by Rainer Werner Fassbinder

Drama
aka: Händler der vier Jahreszeiten

Film Review

Abstract picture representing The Merchant of Four Seasons (1972)
With half a dozen full-length films under his belt, Rainer Fassbinder had his first commercial success with The Merchant of Four Seasons, an incredibly poignant study of a man destined to fail that serves as a powerful indictment of the capitalist system and our increasingly materialistic society.  Not only is this Fassbinder's most technically accomplished work up until this time, but it is also his most thoughtful and provocative, and it is easy to see why many consider it to be his masterpiece.

Here, Fassbinder's familiar stylisation (which combines the technique of Brechtian distancing with Sirkian expressionism) works beautifully to draw us into the inner world of the central protagonist, skilfully portrayed by Hans Hirschmüller.  The character Hans Epp is a perpetual outcast who can never live up to the expectations of those who know him.  He is judged not by who he is but by how he lives his life and how much money he can earn.  It is only when he ceases to be a worker and becomes an employer that he wins the grudging respect of his kin.  Through Hans, we see the dehumanising influence and absurdity of the soulless capitalist system, of a world where material wealth is the sole criterion by which men are judged.

Hans's unwillingness or inability to submit to the deadening yoke of capitalism is what prevents him from having a meaningful identity in the world he lives in.  This sense of alienation is emphasised repeatedly by the unusual camerawork and the excessively artificial reactions of the other characters, all of which serve to make Hans appear to be the perpetual outsider.  Yet he is the only character we can identify with, the only one with any substance and truth.  He is a creature of instinct, not an automaton with a cash register constantly clicking in his mind.  When he tries to become like those around him, it is an admission of failure, and his descent into self-destruction is inevitable.  Man cannot live by bread alone.
© James Travers 2009
The above content is owned by filmsdefrance.com and must not be copied.
Next Rainer Werner Fassbinder film:
Angst essen Seele auf (1974)

Film Synopsis

Hans Epp is a man in his early thirties who makes a modest living by selling fruit from a barrow in the back streets of Munich.  His family are embarrassed by him and consider him a failure.  Hans's downfall began when he was dismissed from the police force after being caught in an uncompromising position with a streetwalker.  A spell in the French foreign legion didn't appear to do him any good either.  Not long after his wife walks out on him, Hans has a heart attack and is warned that he will die unless he leads a less physically strenuous life.  He employs another man to sell his fruit and manages to make a nice tidy profit.  This development delights his family, who are now glad that he has begun to make something of his life.  But Hans's commercial success does not bring happiness.  Unable to find meaning in his life, Hans slips further and further into depression...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Rainer Werner Fassbinder
  • Script: Rainer Werner Fassbinder
  • Cinematographer: Dietrich Lohmann
  • Cast: Hans Hirschmüller (Hans Epp), Irm Hermann (Irmgard Epp), Hanna Schygulla (Anna Epp, Hans's sister), Andrea Schober (Renate Epp), Gusti Kreissl (Mother Epp), Klaus Löwitsch (Harry Radek), Karl Scheydt (Anzell), Ingrid Caven (The merchant's great love), Kurt Raab (Kurt, Heide's husband), Heide Simon (Heide), Peter Chatel (Dr. Harlach), Elga Sorbas (Marile Kosemund), Lilo Pempeit (Customer), Walter Sedlmayr (Fruit cart salesman), El Hedi ben Salem (The Arab), Daniel Schmid (1st Candidate), Michael Fengler (Playboy), Hark Bohm (Chief Policeman), Harry Baer (2nd Candidate), Rainer Werner Fassbinder (Zucker)
  • Country: West Germany
  • Language: German / Arabic
  • Support: Color
  • Runtime: 88 min
  • Aka: Händler der vier Jahreszeiten

The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright