The Man Who Cried (2000)
Directed by Sally Potter

Drama / Music / Romance / War
aka: The man who cried - Les larmes d'un homme

Film Synopsis

In 1927, Fegele, a small Jewish girl, lives a happy childhood with her father, a choirmaster, and grandmother in a Russian village.  Fegele's father leaves to start a new life in the United States, hoping that his family will follow him, as the Jews become persecuted.  Fegele follows him, but ends up on a boat bound for England.  Renamed Suzie, Fegele is placed in a Catholic home and is taught in a school where she is forbidden from speaking Yiddish.  Ten years later, Fegele leaves for Paris, where she becomes a chorister and meets an ambitious Russian dancer, Lola.  She still dreams that one day she will cross the Atlantic and be reunited with her father in America...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Sally Potter
  • Script: Sally Potter
  • Cinematographer: Sacha Vierny
  • Music: Osvaldo Golijov
  • Cast: Christina Ricci (Suzie), Oleg Yankovskiy (Father), Claudia Lander-Duke (Young Suzie), Danny Scheinman (Man in Suit), Anna Tzelniker (Mother of Man in Suit), Barry Davis (Man in Village), Thom Osborn (Man in Village), Frank Chersky (Man in Village), Daniel Hart (Man in Village), Peter Majer (Man in Village), Hana Maria Pravda (Grandmother), Ayala Meir (Child), Abraham Hassan (Child), Lloyd Martin (Child), Uri Meir (Child), Sophie Richman (Child), Theo Wishart (Child), Michael Mount (Boy in Cart), Harry Flinder (Boy in Cart), Danny Richman (Man in Cart)
  • Country: UK / France
  • Language: English / Yiddish / Russian / French / Italian / Romany / Romanian
  • Support: Black and White
  • Runtime: 100 min
  • Aka: The man who cried - Les larmes d'un homme

The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The very best of French film comedy
sb-img-7
Thanks to comedy giants such as Louis de Funès, Fernandel, Bourvil and Pierre Richard, French cinema abounds with comedy classics of the first rank.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright